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Mickey (1918)

 -  Comedy | Drama  -  August 1918 (USA)
7.5
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Ratings: 7.5/10 from 765 users  
Reviews: 12 user | 3 critic

Mickey, an orphan who has been brought up in a mining settlement, is sent to New York to live with her aunt.

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Cast

Cast overview:
...
Mickey
George Nichols ...
Joe Meadows (as Geo. Nichols)
Wheeler Oakman ...
Herbert Thornhill
Minta Durfee ...
Elsie Drake (as Minta Durffy)
Laura La Varnie ...
Mrs. Geoffrey Drake (as Laura Lavarnie)
Lew Cody ...
Reggie Drake (as Louis Cody)
Tom Kennedy ...
Tom Rawlings
Minnie Devereaux ...
Minnie (as Minnie Ha Ha)
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Storyline

As the surviving partner in a gold mining enterprise, Joe Meadows has also been raising his deceased partner's daughter, Mickey. Now that she is older, Joe plans to send her to live with her aunt Mrs. Drake in New York. Meanwhile, Mrs. Drake is hoping to have her daughter Elsie marry another mine owner, Herbert Thornhill, in order to alleviate the Drake family's financial struggles. When Thornhill goes to California to check on his mine, he meets Mickey and becomes fond of her. Later, when Mickey goes to New York to stay with the Drakes, she finds herself in an uncomfortable situation. Written by Snow Leopard

Plot Summary | Add Synopsis

Taglines:

- Seven Parts - See more »

Genres:

Comedy | Drama

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Details

Country:

Language:

Release Date:

August 1918 (USA)  »

Box Office

Budget:

$125,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TCM print) | (DVD)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

During the filming, Mabel was in very bad mental health. A year earlier she, who at that time was engaged to producer Mack Sennett, discovered that he had an affair with Mae Busch. Busch threw a vase in Mabel's head, and she was obliged to take an operation to survive. She never fully recovered. Her friend and colleague Minta Durfee supported her. See more »

Goofs

Palm trees and industrial bridges at the railroad station at Great Neck, Long Island, New York. See more »

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User Reviews

 
This is the sort of film Mary Pickford made famous.
23 September 2012 | by (Bradenton, Florida) – See all my reviews

Mable Normand is forever remembered for her comedies for Mack Sennett. These two-reel films were fun but also quite short and were done strictly for laughs. "Mickey" was a major change for Ms. Normand, as now she was making a full-length film and one which was more of a melodrama. In fact, it's very much a style film that Mary Pickford made famous from the late 1910s through the 1920s--playing a very young lady who, by the end of the film, has found love and happiness.

Mickey is a young tom-boy (Normand) who lives with her father's old mining partner. It seems her father died and this man has cared for her for many years. However, as she gets older, he realizes he's not much good teaching her how to become a lady and he sends her off to live with her aunt. As for the aunt, she only wants Mickey because she learns she owns a mine. When she discovers the mine isn't productive, she makes Mickey a servant in the home--much like Cinderella. But, just after the aunt gets rid of Mickey, she learns the mine has finally paid off and Mickey is rich--and suddenly she DOES want Mickey to live with her! Well, in the meantime, there is a man who has fallen for Mickey--and he cannot find her in order to propose. But the aunt decides to sic her no-good son on her and he proposes to Mickey. Can the old boyfriend find her before it's too late?!

While this film is a VERY predictable old fashioned melodrama (aside from the bizarre horse race sequence near the end--I did NOT see that coming), it's a NICE predictable old fashioned melodrama! Sure, you can figure out what's going to happen long before it does, but the film is so well made and enjoyable you don't really mind. Sweet and quite charming. It's sure a shame that Mable's career and life were cut so short--I would have loved to see more films like this one.

By the way, I think parts of the end of this film must have been missing. That's because there are very few intertitle cards early in the film. Yet, near the end, there are several with extensive exposition--like it's filling in for gaps in the film.


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