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A Dog's Life (1918)

 -  Short | Comedy  -  14 April 1918 (USA)
7.8
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Ratings: 7.8/10 from 3,446 users  
Reviews: 16 user | 12 critic

The Little Tramp and his dog companion struggle to survive in the inner city.

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(uncredited)

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Title: A Dog's Life (1918)

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Cast

Complete credited cast:
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Storyline

Poor Charlie lives in a vacant lot. He tries to get a job but when he gets to the head of the employment line the jobs are gone. Back "home" he rescues Scraps, a bitch being attacked by other strays. Together they manage to steal some sausages from a lunch wagon. They enter a dance hall where Edna is a singer and unwilling companion to the clientele. He is thrown out when he can't pay. Back "home" Scraps digs up a money-filled wallet buried by crooks. They return to the dance hall to find Edna fired. The wallet goes back and forth between Charlie and the crooks. Charlie, Edna and Scraps end up very happily. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

In his First Million Dollar Picture See more »

Genres:

Short | Comedy

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

14 April 1918 (USA)  »

Also Known As:

Une vie de chien  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

(Westrex Recording System) (1959 re-issue)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

This was Charles Chaplin's first film for First National Films. See more »

Connections

Referenced in Hugo (2011) See more »

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User Reviews

 
master of comic timing
3 January 2003 | by (movie heaven) – See all my reviews

By the time he made `A Dog's Life', Charlie Chaplin was already a master of cinematic comic timing. Editing techniques had not developed to the point at which they would be much help to Chaplin's physical comedy gags, so laughs required expertly handled choreography. Chaplin must have rehearsed countless takes to get each scene just right. The incredible opening sequence, seemingly shot all in one take, is particularly amazing. Chaplin and his fellow actors synchronize their movements perfectly so that, no matter what action they undertake, they always arrive on opposite sides of the fence at the exact same moment. Additionally, they make each movement at a natural pace so that, rehearsed though they may be, their motions always seem spontaneous and believable. You never get the sense that Chaplin or the policemen are speeding up or slowing down.

Rating: 6.5


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