Amarilly comes from a large family in a working-class neighborhood. She is happy with her family and her boyfriend Terry, a bartender in a cafe. But one day she meets Gordon, a sculptor who...
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Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and ... See full summary »
With her family in financial difficulties, Rebecca is sent to live with her two strict, unfeeling aunts, who do not appreciate the young girl's charm and energy. Rebecca must make new ... See full summary »
Helen Jerome Eddy
The tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood may be threatened by a potentially dangerous street gang.
Marcia Grey is wrongly convicted on trumped-up evidence of a German. After serving her term, she rebuilds her life and marries well. The German then attempts to blackmail her into helping ... See full summary »
Amarilly comes from a large family in a working-class neighborhood. She is happy with her family and her boyfriend Terry, a bartender in a cafe. But one day she meets Gordon, a sculptor who comes from a rich family, and she begins to be drawn into the world of the upper class. Written by
Tom Wilson's part was originally supposed to be played by Eric Campbell, who had played the "heavy" with Charles Chaplin the previous two years. Campbell was killed in an auto accident on December 28, 1917, a week prior to the start of this film's production. Wilson would play a uniformed policeman in Chaplin's The Kid (1921). See more »
In this 1918 film, Mary Pickford plays a down-to-earth Irish working class girl, complete with her washer-woman ma and 5 rambunctious brothers. The plot is perfunctory: she has an equally down-to-earth bartender boyfriend, but gets involved with dashing upper-crust sculptor Norman Kerry (who's handsome even to modern eyes!) until used as a "social experiment" by Kerry's socialite aunt, which she justifiably resents.
No big surprises, but a wealth of small, charming moments. The film is undeniably creaky (it is 82 years old!), but actually flows together quite well. Its age is also, undeniably, part of its charm - it fascinates me to see these products of another era. There is a melodramatic turn at the end that seems to come out of the blue, but perhaps it was a nod to the fact that Amarilly's neighbourhood was undoubtedly a dangerous environment to live in.
Its not difficult at all to see why Mary Pickford was "America's Sweetheart". This was the first complete movie of hers that I've watched, and I hope to see more. She's delightful - warm and sweet, and blessed with a heart-melting smile.
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