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A Tale of Two Cities (1917)

6.3
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Ratings: 6.3/10 from 63 users  
Reviews: 3 user | 1 critic

Alcoholic lawyer Sydney Carton travels to Paris during the Reign of Terror to rescue French aristocrat Charles Darnay, husband of the woman he loves.

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(novel), (scenario), 1 more credit »
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Cast

Credited cast:
William Farnum ...
Jewel Carmen ...
Charles Clary ...
Herschel Mayall ...
Rosita Marstini ...
Josef Swickard ...
Ralph Lewis ...
Roger Cly
William Clifford ...
Marc Robbins ...
Olive White ...
Willard Louis ...
Harry De Vere ...
...
Mimi
Rest of cast listed alphabetically:
James Morrison ...
Undetermined Role
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Storyline

Charles Darnay is the nephew of the Marquis St. Evremonde in pre-Revolutionary France, but disagrees with the French feudal system and emigrates to England, where he is falsely accuses him of being a spy. He is found innocent through the skill of Sydney Carton, an alcoholic English barrister. Darnay is supported by beautiful Lucy Manette, whom he met on the trip across the Channel, and her father, Doctor Manette, a victim of the aristocracy unjustly imprisoned for many years in the Bastille. Carton falls in love with Lucy, but she loves Darnay and subsequently marries him. Carton's love remains unrequited, but it propels him to sobriety. After Darnay is tricked into returning to France during the Reign of Terror and subsequently sentenced to death by a revolutionary tribunal, it falls to Carton to save his romantic rival's life. Written by duke1029@aol.com

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Genres:

Drama | History | Romance | War

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Details

Country:

Release Date:

11 March 1917 (USA)  »

Also Known As:

Historia en dos ciudades  »

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Sound Mix:

Aspect Ratio:

1.33 : 1
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Film debut of James Morrison. See more »

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Version of A Tale of Two Cities (1907) See more »

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User Reviews

It Wasn't The Best of Films. It Wasn't the Worst of Films
15 October 2003 | by (New York City) – See all my reviews

This well-mounted and visually interesting silent version of the Dickens novel is a good effort, but, of course, it pales before the 1935 version starring Ronald Colman. As a silent film it suffers from too many title cards -- an artifact, no doubt, of the fondness for the book. One searches for nice things to say about this movie, but they all have to be qualified as "For 1917." Good set design for 1917. Good composition for 1917 and so forth. Still, the acting is good, the story is there and if you want to see what was good in 1917, you can take a look at this. Or you could just stick with the 1935 version and I won't fault you.


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