Disillusioned in marriage, Jacques Leroi attempts an airship flight across the Pacific Ocean, but crashes and washes ashore on an island populated by a peaceful tribe of completely happy ... See full summary »
Anna Q. Nilsson
Frank Perry's wife Helen is away visiting her mother, and he uses this "free time" for a night of drinking at a nightclub. Unfortunately, when he tries to return home, he enters the wrong ... See full summary »
Thomas N. Heffron
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
A charming and very daring thief known as Arsene Lupin is terrorizing the wealthy of Paris, he even goes so far as to threaten the Mona Lisa. But the police, led by the great Guerchard, ... See full summary »
George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries ... See full summary »
It's 1929. The studio gave the cinema its voice gave offered the audiences a chance to see their favorite actors and actresses from the silent screen era to see and for the first time can ... See full summary »
There are possibly many other silent films that are packed chock-a-block with even more sub-titles than the 1917 Raffles, but I'm glad to say I've not yet encountered them. This one contains nearly three hundredan average of nearly five titles a minute. True, some of them consist of only a sentence or two, but most of them fill the whole screen. And such titles they are too! They're not the least bit funny, witty or comic. Just dull, wordy, prosaicand often unnecessary. What's more, the editor makes little attempt to integrate the titles smoothly. Due to George Irving's shockingly bad direction, they jar, jar, jar! Irving also has not a clue in the world how to shoot close-ups so that they relate to the long and medium shots.
As usual, Barrymore overdoes the histrionics. A few of the other players, notably Mrs Brundage (and to a lesser extent, Miss Mayo) follow his lead, but the movie is saved by two outstandingly effective performances. Frank Morgan makes an excellent Bunny, and Frederick Perry (who was actually Hornung's choice to play the leada choice supported by Scribner, his American publisher) manages to overcome the creaky script to give a sympathetic yet quietly charismatic impression of an astute detective who is nobody's fool. Perry has the requisite presence and assurance. He quietly out-acts Barrymore at every turn.
Most of the other players are competent enough. It was good to see Kathryn Adams as Gwendolyn, but Evelyn Brent, who plays her friend, Ethel, virtually disappears from the movie as soon as she's introduced.
Aside from the opening ship-board Prologue, production values are minor. The script's settings are otherwise pretty much confined to the stage play.
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