The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, ... See full summary »
Nigel De Brulier
A factory worker has always dreamed that he was meant for better things, to be rich and famous and in "the company of kings". One day he discovers that he is indeed the only heir to the ... See full summary »
A rich young Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone, and it is an orderly, ... See full summary »
King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for ... See full summary »
Marguerite De La Motte,
Ned Thacker, through prenatal suggestion, is born in Kansas with the spirit of D'Artagnan, of Gascony, and, naturally, his gallantries are very much misunderstood by maids and matrons of today, but when he falls in love with Dorothy Morane it takes something more than a millionaire rival to head him off, and it takes even more than a half-crazed Indian guide and the face of the Grand Canyon to keep him from the lady of his choice; not even her mother can do that. Written by
Moving Picture World synopsis
The El Tovar Hotel, prominently shown in the movie, was added to the National Register of Historic Places in 1974. See more »
When Chin-de-dah leads Vandeteer and Elsie through the Canyon, the shadows of the cameraman and another crew member are visible on the ground. See more »
Except for Douglas Fairbanks, whose name appears above the title, there is no cast list. Actors are introduced by intertitle cards just before they appear on the screen. The IMDb cast list therefore uses this "order of appearance" sequence. See more »
Fairbanks before his prime time period in the '20s...
DOUGLAS FAIRBANKS was quite the swashbuckler of his era in the 1920s, especially during the time of his biggest triumphs in ROBIN HOOD, THE THIEF OF BAGDAD, THE MARK OF ZORRO and THE BLACK PIRATE.
But this is an early relic from his silent screen career as early as 1917, and, of course, has to be judged by today's standards of film-making for any potential viewers outside of curious film buffs who want to see it.
Fairbanks was athletic and agile enough, but always looked middle-aged, even though here he's only 34. Furthermore, he looked husky rather than trim--unlike his son, Douglas Fairbanks, Jr., a much better looking man. But his physical prowess is amazing. He clambers over fences, cars, horses in a mere jump. He climbs up over anything in his way with the ease of a monkey swinging through trees, exuberantly smiling while he struts his way through whatever impediment is in his way.
And the film itself, for a relic that was filmed in 1917, is in amazingly good condition, fully restored and with a jaunty background score that is not jarring and obtrusive the way so many of the silent film scores were.
The story is really two stories that run concurrently: the D'Artagnan legend is illustrated in a few brief scenes of derring-do with Fairbanks rescuing a damsel in distress. The young Kansas man who desperately wants to leave his provincial roots (in a scene deliriously overplayed by Fairbanks) is also anxious to have a life of adventure and romance, like D'Artagnan. His father and mother give him their blessing and send him on his way--and the rest of the plot is predictable but fun to watch as he finds his own damsel in distress to rescue from a villainous man.
Fun, and thin on plot--but it does move as briskly as Fairbanks himself. Amusing to realize that only twenty years later, his son, Douglas Fairbanks, Jr. would be in a little swashbuckler called THE PRISONER OF ZENDA.
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