John Trimble has embezzled and obtains another identity by having a mutilated body buried in his place. He is later arrested for murdering himself. During the trial his mother, before dying... See full summary »
Cecil B. DeMille
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, ... See full summary »
Nigel De Brulier
John Trent, a World War I British officer, finds an ancient sword in his trench bunker just prior to volunteering for what will amount to a suicide mission the next day. That night he is visited by the spirit of Joan of Arc and is transported back to the 15th Century. Joan's career begins when, as a peasant girl, she meets Trent's ancestor, also an English soldier, fighting for the Burgundians. After Trent is captured, Joan is brought to the attention of the beleaguered Dauphin, heir to the French throne, who cannot be crowned because the English hold the royal city of Orleans. The weak Dauphin is impressed by her vision and apparently heaven-sent powers which border on the supernatural and ultimately gives her command of the armies. She is victorious at Orleans and the new King is crowned. Joan resists Trent's entreaties of love and continues her struggle to free the rest of her country from English occupation. Sinister forces, both English and French, conspire against her and she is... Written by
Gabe Taverney (email@example.com)
When the film began its road-show run in major cities it was 12 reels long, but, over director Cecil B. DeMille's objections, was quickly shortened to 10 reels. See more »
When Trent discovers the sword, he holds the hilt in his right hand. In the insert close-up the hilt is in his left hand. In the cutback, it has returned to the right. (In fact, the insert shot has been spliced in upside-down.) See more »
Englishman, there is room in each heart but for one love - mine is for France!
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This is without a doubt the finest screen version of Joan of Arc. The multi-talented Geraldine Farrar brings this saintly woman to the screen in all her piety. This is DeMille's first epic and he laid the groundwork for his subsequent masterpieces. This film is not only important for the superb acting but also for the technical aspects such as composition and beautiful photography. These early years are generally classified as DeMille's "Visionary Period". This is a wonderfully restored film complete with the hand tinted frames and William Furst's musical score from the original 1916 release. A very elaborate production for the time brimming with artistry and compelling continuity. The use of early special effects such as double exposure, the tinted frames to depict certain moods, blues for subdued and bright oranges for fiery rage. Opera diva Geraldine Farrar proved she was as dynamic an actress as she was a soprano. She was every inch Jeanne d' Arc, beautiful, pious, gentle yet strengthened by her faith and patriotism in the face of battle. She breathed so much into this role, no one, not even Ingrid Bergman did it better. There is also fine support from Wallace Reid and Raymond Hatton as Charles VII. That noble actor Hobart Bosworth gives a fine performance as the faithful General La Hire. An all star cast for 1916 audiences. An edifying work of art.
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