Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.
A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they ... See full summary »
Considered lost for many decades, a print of this film would eventually show up in a French vault and making it one of the earliest films by John Ford to survive. In the film Harry Carey plays Cheyenne Harry, a simple cowhand who asks the woman (Molly Malone) he loves to marry him. She says yes but a few days later a city man (Vester Pegg) comes to town and steals her heart with a bunch of lies. She runs off to NYC with him before learning what a jerk is so it's up to Harry to show up and save the day. At just 52-minutes there's quite a bit wrong with this film including the middle sections that pretty much bring the thing to a complete halt. The scenes involving the city man wooing the girl were pretty bland and boring in my opinion and I think the scene with all the cowboys crying was pretty over dramatic as well. Outside those scenes this is a pretty good little Western that has the perfect mix of action and comedy. The scenery early on is downright breathtaking as Ford clearly showed his ability even at an early age to pick beautiful locations and do them great justice on the screen. You can't help but want to pause the film just so you can admire some of the terrific location shots here. Another major plus is some rather nice bits a comedy that are added in the second part of the film when the cowboy heads to NYC and doesn't understand too much about the city. It's even funnier when his friends show up and start a major fight with some of the city folks there. Carey was one of the biggest Western stars out there and it's pretty easy to see why. He's got that certain look that the best of the best had in this era and he's also quite believable in the tougher spots. You can't help but believe he's going to beat the crap out of anyone who gets in his way and that's always a plus. Malone is pretty good in her role as well but the character is so bland that you'd have to wonder why the cowboy would even bother going after her. Pegg is a delight as the city guy and L.M. Wells is good as the girl's father. Again, at just 52-minutes you'd wish that there weren't any slow spots but in the end this is a pretty solid little film that fans of Ford or just silent buffs will want to check out.
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