The Bad Boy (1917) Poster

(1917)

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7/10
Robert Harron Makes Trouble at Triangle
wes-connors22 May 2011
Trouble-making "bad boy" Robert Harron (as Jimmie Bates) attacks both sweet Mildred Harris (as Mary) and sexy Colleen Moore (as Ruth). After he is expelled from school, Mr. Harron receives a beating from strict daddy Richard Cummings. Consequently, Harron runs away from home and joins a gang. Years pass. In and out of jail, Harron returns to his hometown to rob the local bank, but has second thoughts after seeing his former sweetheart. In the exciting scenes that follow, Harron must decide whether to continue his life as a criminal, or go straight. A final reconciliation ends the story...

The survival status of "The Bad Boy" is listed as unknown. Unfortunately, this means there are likely no prints remaining in existence. With future superstar Colleen Moore cast in her first substantial role, and critically acclaimed Robert Harron appearing in possibly his first top-billed feature-length film role, you would expect that if a copy of this film existed anywhere, it would have turned up by now. Harron had, of course, been a star for several years; however, as he was in the company of director D.W. Griffith, he did not receive star billing; Mr. Griffith wanted his performers to remain as anonymous as possible, and considered himself the "star" of Griffith productions. Like others in the Griffith troupe, Harron decided to break out on his own, but returned whenever Griffith offered some choice roles.

"Motion Picture Mail" (January 6, 1917) reported, "Robert Harron is the latest addition to the Triangle-Fine Arts galaxy of stars. He will be headlined in a play early in the new year, entitled 'The Bad Boy'. Mildred Harris, who has been selected to act as Douglas Fairbanks' leading lady during his winter sojourn in New York, will appear with Harron in his first starring venture before she goes to the New York studio of the Triangle during January. Harron is perhaps the only actor in motion pictures today with more than three years' experience who has been under the same direction during the entire period...

"When the general reorganization of film interests took place some time ago, which resulted in the formation of the Triangle Film Corporation, Harron found himself a member of the Fine Arts stock company, but under the same direction that he had made his entry into filmdom. The first Triangle feature in which he won commendation was 'The Missing Links', and his most recent hit was registered as the woman-hating young clerk in 'The Wharf Rat'."

Hopefully, more of Harron's non-Griffith films will someday surface.

******* The Bad Boy (2/18/17) Chester Withey ~ Robert Harron, Mildred Harris, Richard Cummings, Colleen Moore
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A sudden and complete reversal
deickemeyer7 February 2015
Warning: Spoilers
"The Bad Boy" offers a delightful piece of characterization, that of the village ne'er-do-well, simply a youth whose vigorous primitive tendencies have not been tamed and cannot be suppressed by force alone without peril to his future career. F. E. Woods and Chester Withey, the authors, present a type easily recognizable in the role assumed by Robert Harron, one common enough in the every-day life of small towns and not absent from big cities. The village bad boy is simply a healthy boob, destined in the ordinary, course of things to grow up half educated, go courting, marry, settle down, keep a grocery store and vegetate the rest of his life, as most of them do. The one depicted is in revolt against constituted authority, a rebel by nature, and, headed by sheer force of will for some good or bad variation from the commonplace, more or less according to circumstances over which he has no control. The authors build up an admirable characterization during the reels of preparation and development, in which the deft hand of Woods is clearly visible. Thereafter Mr. Woods makes a concession to melodrama, much to the detriment of his story; his comedy skill is so rare and so thoroughly interesting in its results. So many of our men of prominence were bad boys at the outset that it seems a pity to send this one along into the criminal course of a weakling. There is a lack of compensation in his eventual reform. He comes out of jail to continue his criminal associations and becomes the meanest of the lot in stealing a safe combination from the home of his mother and father, the real criminal, whose accomplices are punished when he is converted, while he goes scot free. The character, however, is realistic and is made intensely so by Harron during all the early scenes. The early part of the story is presented so amusingly that the average sympathies of an audience are roused for the boy. It is not shown that there is anything really vicious in his character, he is simply self-willed, a quality that helps men to win their way. Then comes a sudden and complete reversal, an announcement that he has been discharged from jail and sent home. That event and the boy's voluntary agreement to act as principal in robbing a bank in which his own father holds a position of trust places the young man at once beyond the pale of further sympathy, he is a crook at heart, not to be depended on in the future. His reform merely grows out of the gentle influence of a young girl, an accidental one at that, so it is clearly indicated that the change does not came from innate fine character. He is simply lucky in having influence which shields him from the punishment meted out to others. The value of the story lies almost wholly in the sort of characterization which Mr. Woods knows well how to formulate. – The Moving Picture World, February 24, 1917
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