After passing the hat and taking the donations intended for German street musicians Charlie heads for the country. Here he finds and rescues a girl from a band of gypsies. The girl falls in... See full summary »
After passing the hat and taking the donations intended for German street musicians Charlie heads for the country. Here he finds and rescues a girl from a band of gypsies. The girl falls in love with an artist whose portrait is later seen in a shop by the girl's real mother. The mother and the artist arrive in a chauffeured auto and offer Charlie money for his services, money which he rejects. Written by
Ed Stephan <firstname.lastname@example.org>
Charlie loses his hat outside the bar, is seen inside wearing it, then picks it up where he lost it when he leaves. When he escapes from the gypsy, he is hatless at first, but the next shot shows the hat suddenly back in place. See more »
This must have seemed like a real change-of-pace from Chaplin when it first came out, since it has a much different tone than almost any of his previous short features. It has a few funny moments, but this time humor is not the emphasis - except for the familiar presence of Charlie's usual tramp-like character, it feels more like one of the short melodramas from the same era, rather than a comedy.
As "The Vagabond", Charlie performs a few antics, mostly towards the beginning, but then gets involved in the life of a young woman in distress (Chaplin regular Edna Purviance), and the story turns more serious. It is not one of his best films, but it is always watchable, and is quite interesting as a fore-runner of the way that Chaplin would combine slapstick and humanity to much greater effect in the masterpieces that he would go on to create some years later.
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