Wintertime in Lyons. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of ... See full summary »
Paphnutius, a wealthy Alexandrian, is about to embrace the new faith of Christianity, but is persuaded by a friend to first see Thais, the most notable courtesan of her time. He falls in ... See full summary »
Frank Hall Crane
This is an abstract film in which every motion is in strict synchronization with music, so the description must be read in terms of the overall impression it gives. Within a deep blue ... See full summary »
This is the first film directed by Anton Giulio Bragaglia, a pioneer in Futurism photography and cinema Futurism was a mostly Italian artistic movement, emphasizing contemporary concepts of the future. The film's prologue states that it includes images by Futurist painters to strengthen the classic narrative in order to evoke in the viewer stronger emotions than those created by mere film images.
The film contrasts naturalist outdoor views of horse riding, horse carriages and motor cars, in particular a car crossing a river on a small ferry, with indoor views with sets designed by renowned Futurist painter Enrico Prampolini. As the film progresses and Thaïs becomes more and more irrational, the geometric and symbolic motives of the sets take an increasing importance and the film becomes almost abstract.
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