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Sold for Marriage (1916)

Passed  -  Drama | Romance  -  16 April 1916 (USA)
6.1
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Ratings: 6.1/10 from 26 users  
Reviews: 3 user | 2 critic

A poor Russian girl's beauty leads her unscrupulous uncle to bring her to the United States. There he is going to sell her into a marriage with a rich old man she has never met. But her ... See full summary »

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Title: Sold for Marriage (1916)

Sold for Marriage (1916) on IMDb 6.1/10

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Cast

Cast overview:
...
Marfa
Frank Bennett ...
Jan
Walter Long ...
Col. Gregioff
Allan Sears ...
Ivan (as A.D. Sears)
Pearl Elmore ...
Anna
Curt Rehfeld ...
Dimitri (as Curt Rehfelt)
William Lowery ...
George (as William E. Lowery)
Fred Burns ...
A Policeman
Mike Siebert ...
The Undesirable Suitor
Frank Brownlee ...
Nicholas
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Storyline

A poor Russian girl's beauty leads her unscrupulous uncle to bring her to the United States. There he is going to sell her into a marriage with a rich old man she has never met. But her lover, an returning immigrant visiting Russia from the U.S., sails on the same ship. When they arrive he learns, to his surprise, that the American police, unlike those of his native country, are not oppressors of the poor, but friends that will aid in securing the release of his beloved Maria. Written by Les Adams {longhorn1939@suddenlink.net}

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Genres:

Drama | Romance

Certificate:

Passed
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Release Date:

16 April 1916 (USA)  »

Also Known As:

Marfa of Russia  »

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Aspect Ratio:

1.33 : 1
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User Reviews

 
Light Gish Vehicle
18 August 2009 | by See all my reviews

"Sold for Marriage" is a breezy little feature starring Lillian Gish. Gish plays a Russian, who's uncle and aunt try to sell her hand in marriage to the wealthiest bachelor, despite Gish being in love with a poor boy. Although the subject matter might sound sensational or melodramatic, the treatment is light and the pacing is fluid. Much of it comes off more as comedy rather than drama. Most of the credit for that must go to Gish. Allan Sears, as her uncle, also gives an amusing performance to what otherwise could have been a melodramatic heavy. The rest of the cast is dull background—seemingly incapable of any comic expressions, or clueless to the tone set by Gish and Sears.

If not for Gish, this would surely be a completely forgettable picture. This is the first film from the 1910s that I've seen of hers where D.W. Griffith didn't direct, and it's a nice change of pace. Here, she sports dark hair and peasant clothing—ridding herself of the prim, ideal virgin or mistreated heroine doomed to some melodramatic climax (often, an attempted rape) before being rescued at the last minute. She is quite comically deadpan in her facial expressions, but also her entire posture and body language seems different from her roles in melodramas. She slouches, scurries and is generally perkier. For the demonstration of Gish's versatility with this performance alone, from one of the best actresses of the silent era or ever, it was worth seeing "Sold for Marriage".


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