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8 out of 9 people found the following review useful:

Douglas Fairbanks and Bessie Love

Author: drednm from United States
28 January 2008

Douglas Fairbanks started his film career in breezy little comedies that stressed his athleticism. REGGIE MIXES IN in a good example. Here he plays Reggie, a rich young man (he was 33) who oddly gets involved as a bouncer in a beer hall, a gang of thugs, and a love woman (Bessie Love). No much sense to the plot, rather a string of events loosely tied together and all aimed for Reggie to win the girl.

Fairbanks started in films in 1915 and right from the start, refused to play love scenes. So even in this 1916 film, Fairbanks and Love clutch but never kiss. He has a few terrific stunts, however, that keep this film surprising and brisk (at 47 minutes). Co-stars include Alma Rubens (hysterically named Lemona), Joseph Singleton (as the butler Old Pickleface), Lillian Langdon (as the aunt), and Frank Bennett (as Sammy the thug).

Reggie is the perfect character for Fairbanks in these early films because they allow him to polish his acting skills and presage his astonishing career as the swashbuckling superstar of the 20s, a career that combined his great athletic skills with a great sense of fun.

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0 out of 1 people found the following review useful:

Messy Fairbanks Vehicle

Author: Cineanalyst
31 December 2009

"Reggie Mixes In" is a below average vehicle for Douglas Fairbanks. It's one of his earliest comedies, from before his turn to swashbucklers in the 1920s. He plays the wealthy Reggie Van Deuzen, who apparently was born into money since there's no indication in the film that he worked for it. Reggie falls in love with a girl from the slums and so decides to "mix in"; he pretends to be poor, rents a shabby flat and gets a job as a bouncer at a rough nightclub. There, he mixes it up with gang members and ends up fighting a gang boss for the girl. It's not a very good scenario, and the pacing is rather slow and uneventful for a Fairbanks comedy—and it's not funny. Much of the humor is some knockabout between Reggie and his servant, which wasn't Fairbanks's usual style. Christy Cabanne wasn't a good director. Three of my least favorite Fairbanks films ("The Lamb", "Flirting with Fate" and this one) were made by him, and soon after he made them, Triangle fired him. In his other early pictures, Fairbanks was beginning more fruitful collaborations with the likes of Allan Dwan, John Emerson, Victor Fleming and Anita Loos.

The print/transfer I saw was rather poor, but viewable. It may have been missing some footage, as there are some especially abrupt cuts between a couple scenes; otherwise, this was even more of a slipshod production. Additionally, the subplot of the other woman, Lemona, who's after Reggie's money, doesn't really go anywhere in the print I saw and, regardless, should have been dropped. The film ran about 45 minutes. Perhaps, one point of interest in "Reggie Mixes In" for classic cinema fans is Bessie Love as Doug's leading lady; in the silent and early sound eras, she was also a notable star.

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