Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by
Erik Gregersen <firstname.lastname@example.org>
D.W. Griffith invented false eyelashes for this film in 1916 because he wanted Seena Owen (who plays Attarea, the Princess Beloved, in the film's Babylonian segment) with lashes luxurious enough to brush her cheeks when she blinked. In collaboration with a wigmaker, who did the actual fabricating, the solution Griffith is credited with involved weaving human hair through a fine strip of gauze, creating false eyelashes. See more »
While the vestal virgins of uplift are at the party given by Ms. Jenkins, and are indoors the whole time, the feathers on their hats flutter and their dresses are blown as if by a breeze. This sort of thing occurs in numerous indoor scenes throughout the film, since interiors were shot on outdoor sets. See more »
Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »
I put off seeing "Intolerance" for years, fearing that the bloated, silent epic would be more of a punishment than a reward. I was surprised by how intelligent and spectacular a movie it was. The parallels between the ages ancient, present, and in between are fascinating, and it's a shame to think that no filmmaker since 1916 has attempted a historical, epic, poem so grand. It would be easy to dismiss parts of the film, but that would be treason to its creator. It is a comment on the eternal struggle of goodness against it's adversary intolerance, a message to the future that we will never evolve without admitting this. Ninety years later,it seems that we haven't come that far, if we've made any progress at all. Some of the sights are remarkable: Babylon, the heavenly final sequence, the worker's strike, Christ, chariots... Too bad Griffith is mostly remembered for his vision of Klan and black culture in "Birth of a Nation".
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