Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by
Erik Gregersen <firstname.lastname@example.org>
According to Kevin Brownlow's three-part documentary D.W. Griffith - Father of Film, Intolerance *did* pay itself. However, what the film did not manage to do was to pay its sumptuous roadshow presentation. Still according to Brownlow's documentary, Griffith ordered that every theater showing the picture needed to be modeled with a special decoration and needed to have a live orchestra playing the score of the picture. See more »
Alexandre Édouard de France (later King Henry III) is referred to as "Monsieur La France," when he should be called "Monsieur de France." See more »
Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »
How on Earth was D.W Griffith able to make this movie back in 1916? Back in the days when the audience were having a hard time focusing on two parallell stories, Griffith gave them four... This is a tremendous spectacle, way ahead of its time, and hardly dated at all. OK, the acting is a little bit over the edge (although Mae Marsh is a personal favourite of mine) and the subtitles are sometimes ridiculous, but the message that this movie brings is absolutely timeless. In fact, this is really the first movie with a vision, an idea. A major influence on Russian director Eisenstein, one has to wonder: Would there have been a Potemkin without this masterpiece? The Birth of a nation is in some ways superior to Intolerance, but for pure strength, innovation and boldness, Intolerance is unsurpassed and unsurpassable. The greatest movie of all times.
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