The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by
Erik Gregersen <firstname.lastname@example.org>
According to Kevin Brownlow's three-part documentary American Masters: D.W. Griffith: Father of Film (1993), this film did indeed pay for itself. However, what it did not manage to do was to pay its sumptuous roadshow presentation. Still, according to Brownlow's documentary, Griffith ordered that every theater showing the picture needed to be modeled with a special decoration and needed to have a live orchestra playing the score of the picture. See more »
Alexandre Édouard de France (later King Henry III) is referred to as "Monsieur La France," when he should be called "Monsieur de France." See more »
Ancient Jerusalem, the golden city whose people have given us many of our highest ideals, and from the carpenter shop of Bethlehem, sent us the Man of Men, the greatest enemy of intolerance.
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Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »
Everything about this movie is fascinating, even its numerous flaws. It is as ambitious a movie as has ever been made, and if you adjust for the era, it might also be the most lavish, expensive, and painstaking. Even today the scope and detail stand out, despite the many technical limitations in its era. Likewise, the enormous cast list contains many names that silent film fans will recognize at once, with well-known performers even in some of the minor roles. Then, you could write many pages about the stories, which are filled with weaknesses, but which are also so interesting that you never want to miss what will happen next.
The concept behind "Intolerance" is as enterprising as it gets: no fewer than four complete, independent story-lines, with the movie switching back-and-forth among them, not necessarily in consecutive order but with a definite plan in mind, all in order to get across the idea suggested by the title - that is, that intolerance of others' beliefs or lifestyles has been a destructive force throughout history. It is generally understood that there is a strong dose of defensiveness behind this plan, since the ideas promoted in Griffith's previous film had earned for him some severe and well-justified criticism. This personal motivation could well explain why "Intolerance" is often so overblown, and it also is interesting in light of the stories chosen to illustrate the main themes.
The two most straightforward stories - the persecution of the Huguenots in 16th century France, and the persecution of Jesus Christ by the religious leaders of his day - are also the most believable, and yet they do not seem to get quite the screen time or the lavish detail of the other two. The contemporary story may have been the most important to Griffith, and it is a full-scale melodrama, full of heavy-handed developments and very unlikely coincidences, yet certainly a story that will hold your attention. The Babylonian story is at once the strangest choice, the most extravagant, and the most fascinating of all. As history, it is as distorted as (or more so than) any of today's movies. Trying to pass off Belshazzar of Babylon as a model of justice and tolerance is just weird, and the entire historical scenario is at best an imaginative embellishment of the truth. But the involved story that Griffith tells in this setting is so exciting and entertaining that you just can't take your eyes away from it.
Much, much more could be said, but anyone with an interest in silent movies or in cinema history will want to watch it and draw his or her own conclusions. Whether you want to analyze the vast array of themes, events, and ideas, or whether you just want to sit back and enjoy a fascinating spectacle, the three hours fly by very quickly, and it's a movie you won't forget.
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