Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by
Erik Gregersen <email@example.com>
The role of the second Pharisee is credited to Erich von Stroheim. However, von Stroheim did not play this role. D.W. Griffith decided to use von Stroheim's name as a pseudonym for actor William Courtright, who actually plays the role. This has caused much confusion over the years. Von Stroheim's only work on this film was as a production assistant for the Babylon sequences. See more »
In the scene where Monsieur La France is shown with the puppies in his belt 'pocket', the long shot shows his arms in the air, but the next close shot shows a hand under the 'pocket' the puppies are in, and then cuts back to him with his hands in the air. See more »
[to his princess beloved]
The fragrant mystery of your body is greater than the mystery of life.
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Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »
I saw a four hour, ten minute version of this as the University of Chicago's Ida Noyes Hall in February, 1993 -- restored with stills and copyright photos, with a new score by Gillian Anderson, featuring the composer conducting the University Symphony Orchestra -- what an experience!
And where, oh where, is this restored version to be seen today?
Somebody get on the copyright owner's case to release the 4:10 version, with Gillian Anderson's score!
This fine film, possibly the quintessential Griffith, has been in the shadow of the notorious Birth of a Nation too long. (Of course, without Birth of a Nation's controversy, this might never have been made). Intolerance has more spectacle than Birth, far more "speaking" parts (if that's not an oxymoron, I don't know what is!), and is far more PC -- but not in a negative way.
See it, in any form you can!
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