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Intolerance: Love's Struggle Throughout the Ages (1916)

Not Rated | | Drama, History | 5 September 1916 (USA)
0:41 | Trailer

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The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.



(scenario), (titles)
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Cast overview, first billed only:
The Boy
F.A. Turner ...
The Dear One's Father (as Fred Turner)
Sam De Grasse ...
Mary Jenkins
Eleanor Washington ...
Pearl Elmore ...
Lucille Browne ...
Uplifter (as Mrs. Arthur Mackley)
The Musketeer of the Slums / Babylonian Warrior
Tom Wilson ...
The Kindly Policeman
The Governor


Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Plot Synopsis


A Sun-Play of the Ages See more »


Drama | History


Not Rated | See all certifications »

Parents Guide:




Release Date:

5 September 1916 (USA)  »

Also Known As:

Intolerance  »

Box Office


$385,907 (estimated)

Company Credits

Show detailed on  »

Technical Specs


| (2000 video release) | (DVD) | (TV)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?


Howard Gaye, an English actor who played Jesus Christ, got involved in a sex scandal involving a 14-year-old girl and was deported back to England. Because of the scandal, his name was removed from prints of the film at the time. See more »


One of the early title cards in the Judean sequence refers to Jesus having been from "the carpenter shop in Bethlehem." Though he was born in Bethlehem, he worked with his father in a carpenter shop in Nazareth, which is why he was known as Jesus of Nazareth. See more »


Intertitle: When cannon and prison bars wrought in the fires of intolerance - And perfect love shall bring peace forevermore. Instead of prison walls - Bloom flowery fields.
See more »

Crazy Credits

Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »


Featured in The Moving Picture Boys in the Great War (1975) See more »

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User Reviews

Excellent Historical Perspective
8 March 2005 | by (Dallas, Texas) – See all my reviews

This silent film by director D.W. Griffith is well known to serious movie buffs and historians, but not to today's general public. I doubt that a lot of people these days would have the patience to sit through a film that contained three hours of silence. Nevertheless, the film's technical innovations inspired filmmakers in the 1920's and later, particularly in Russia and Japan. It also inspired filmmakers in the U.S., including Cecil B. DeMille and King Vidor. For this reason, and for other reasons, "Intolerance" is an important film.

The film's four interwoven stories, set in four different historical eras, are tied together thematically by the subject of "intolerance", a word which could be accurately interpreted today as "oppression", "injustice", "hate", "violence", and mankind's general inhumanity.

Griffith's narrative structure, though innovative, is uneven, because he gives more screen time to two of the four stories (the "modern" and the "Babylonian"). Equal time for three stories, thus deleting the fourth, might have worked better.

To me, the Babylonian story is the most interesting one because of its more complete coverage, and because of its elaborate costumes and spectacular sets. Even though there is no script, the viewer can easily discern the plot, which suggests that some of today's films might be just as effective, or more so, if screenwriters would downsize the dialogue.

What "Intolerance" offers most of all to contemporary viewers is a sense of perspective. Someone once said that despite the enormous advances in technology, society itself has advanced not at all. That may be true. In the eighty plus years since the film was released, technical advances in film-making have been obvious and impressive. But we are still plagued with the same old human demons of oppression, injustice, hate, violence, and ... intolerance.

54 of 62 people found this review helpful.  Was this review helpful to you?

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