Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Susie, a plain young country girl, secretly loves a neighbor boy, William. She believes in him and sacrifices much of her own happiness to promote his own ambitions, all without his ... See full summary »
Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by
Erik Gregersen <email@example.com>
During the late 1910's, this film was a huge hit in the Soviet Union, however D.W. Griffith never realized any financial gain since the copies being shown were pirated, and distributed without his consent. See more »
In the scene where Monsieur La France is shown with the puppies in his belt 'pocket', the long shot shows his arms in the air, but the next close shot shows a hand under the 'pocket' the puppies are in, and then cuts back to him with his hands in the air. See more »
Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »
Incredible that in 1916 Griffith embarked on a film with four different stories intercut to indeed present "love's struggle through the ages". This really is the ultimate epic film, no film before or since can really match it for ambition or scope. Lillian Gish believed it was ruined when Griffith cut it down from his original version, destroying the narrative flow but the extensive intercutting gathering speed and intensity towards the end was hugely influential particularly on the Soviets and directors like Hitchcock who liked to turn the screw with mounting suspense. Its not a film though to show a newcomer to the silents, it requires some experience of silent drama. People in 1916 were either amazed by the spectacle or baffled by it, one reviewer said they feared Belshazzar would be knocked down by an automobile at any second.
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