Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
"Girls" is about three very different young women who have nonetheless been inseparable best friends from school. Hei, the "proper" one, looks forward to a perfect married life with her ... See full summary »
Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by
Erik Gregersen <firstname.lastname@example.org>
Anita Loos claimed that, when writing 'Gentlemen Prefer Blondes,' she had been inspired to give lead character Lorelei Lee a brief movie career after watching her friends on the set of Intolerance playing Babylonian slave girls. See more »
An extra out of character, fumbling with his costume, in the Belshazzar feast sequence. See more »
[to his princess beloved]
The fragrant mystery of your body is greater than the mystery of life.
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Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »
Incredible that in 1916 Griffith embarked on a film with four different stories intercut to indeed present "love's struggle through the ages". This really is the ultimate epic film, no film before or since can really match it for ambition or scope. Lillian Gish believed it was ruined when Griffith cut it down from his original version, destroying the narrative flow but the extensive intercutting gathering speed and intensity towards the end was hugely influential particularly on the Soviets and directors like Hitchcock who liked to turn the screw with mounting suspense. Its not a film though to show a newcomer to the silents, it requires some experience of silent drama. People in 1916 were either amazed by the spectacle or baffled by it, one reviewer said they feared Belshazzar would be knocked down by an automobile at any second.
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