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Intolerance: Love's Struggle Throughout the Ages (1916)

Not Rated | | Drama, History | 5 September 1916 (USA)
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The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

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Cast

Complete credited cast:
...
Rest of cast listed alphabetically:
Spottiswoode Aitken ...
Brown Eyes's Father (as Spottiswoode Aitkin)
...
Uplifter
Frank Bennett ...
Monte Blue ...
The Strike Leader
William H. Brown ...
Father of the Bride of Cana / Warden (as William Brown)
Lucille Browne ...
Uplifter
Elmer Clifton ...
The Rhapsode
...
Josephine Crowell ...
Dore Davidson ...
The Friendly Neighbor
Sam De Grasse ...
Edward Dillon ...
Crook
Taylor N. Duncan ...
Captain of the Gateg / Bodyguard of the Princess Beloved (as Ted Duncan)
Pearl Elmore ...
Uplifter
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Storyline

Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Plot Synopsis

Taglines:

A Sun-Play of the Ages See more »

Genres:

Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

5 September 1916 (USA)  »

Also Known As:

Intolerance  »

Box Office

Budget:

$385,907 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (2000 video release) | (DVD) | (TV)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Ruth St. Denis is listed by some modern sources as the Solo Dancer in the Babylonian Story, but she has denied this in an interview. See more »

Goofs

Director's assistant clad in coat and tie. See more »

Quotes

The Mountain Girl's Brother: Tish tish! 'tis no place to eat onions.
See more »

Crazy Credits

Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »

Connections

Featured in Lillian Gish (1983) See more »

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User Reviews

Fascinating - Even Its Flaws Are Interesting
7 November 2002 | by (Ohio) – See all my reviews

Everything about this movie is fascinating, even its numerous flaws. It is as ambitious a movie as has ever been made, and if you adjust for the era, it might also be the most lavish, expensive, and painstaking. Even today the scope and detail stand out, despite the many technical limitations in its era. Likewise, the enormous cast list contains many names that silent film fans will recognize at once, with well-known performers even in some of the minor roles. Then, you could write many pages about the stories, which are filled with weaknesses, but which are also so interesting that you never want to miss what will happen next.

The concept behind "Intolerance" is as enterprising as it gets: no fewer than four complete, independent story-lines, with the movie switching back-and-forth among them, not necessarily in consecutive order but with a definite plan in mind, all in order to get across the idea suggested by the title - that is, that intolerance of others' beliefs or lifestyles has been a destructive force throughout history. It is generally understood that there is a strong dose of defensiveness behind this plan, since the ideas promoted in Griffith's previous film had earned for him some severe and well-justified criticism. This personal motivation could well explain why "Intolerance" is often so overblown, and it also is interesting in light of the stories chosen to illustrate the main themes.

The two most straightforward stories - the persecution of the Huguenots in 16th century France, and the persecution of Jesus Christ by the religious leaders of his day - are also the most believable, and yet they do not seem to get quite the screen time or the lavish detail of the other two. The contemporary story may have been the most important to Griffith, and it is a full-scale melodrama, full of heavy-handed developments and very unlikely coincidences, yet certainly a story that will hold your attention. The Babylonian story is at once the strangest choice, the most extravagant, and the most fascinating of all. As history, it is as distorted as (or more so than) any of today's movies. Trying to pass off Belshazzar of Babylon as a model of justice and tolerance is just weird, and the entire historical scenario is at best an imaginative embellishment of the truth. But the involved story that Griffith tells in this setting is so exciting and entertaining that you just can't take your eyes away from it.

Much, much more could be said, but anyone with an interest in silent movies or in cinema history will want to watch it and draw his or her own conclusions. Whether you want to analyze the vast array of themes, events, and ideas, or whether you just want to sit back and enjoy a fascinating spectacle, the three hours fly by very quickly, and it's a movie you won't forget.


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