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Intolerance: Love's Struggle Throughout the Ages (1916)

 -  Drama | History  -  5 September 1916 (USA)
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The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

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Cast

Complete credited cast:
...
Rest of cast listed alphabetically:
Spottiswoode Aitken ...
Brown Eyes's Father (as Spottiswoode Aitkin)
...
Uplifter
Frank Bennett ...
Monte Blue ...
The Strike Leader
William H. Brown ...
Father of the Bride of Cana / Warden (as William Brown)
Lucille Browne ...
Uplifter
Elmer Clifton ...
The Rhapsode
...
Josephine Crowell ...
Dore Davidson ...
The Friendly Neighbor
Sam De Grasse ...
Edward Dillon ...
Crook
Taylor N. Duncan ...
Captain of the Gateg / Bodyguard of the Princess Beloved (as Ted Duncan)
Pearl Elmore ...
Uplifter
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Storyline

Intolerance and its terrible effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Plot Synopsis

Taglines:

The Cruel Hand of Intolerance See more »

Genres:

Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

5 September 1916 (USA)  »

Also Known As:

Intolerance  »

Box Office

Budget:

$385,907 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (2000 video release) | (DVD) | (TV)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Jenkins and his foundation are modeled after John D. Rockefeller and his own foundation. The massacre of workers at the beginning of the movie is modeled after the Ludlow massacre of 1914, in which Rockefeller was involved. See more »

Goofs

Tire tracks during the chariot race sequence. See more »

Quotes

Prince Belshazzar: [to his princess beloved] The fragrant mystery of your body is greater than the mystery of life.
See more »

Crazy Credits

Constance Talmadge is credited as 'Georgia Pearce' for her performance as Marguerite de Valois in the French Story. She is credited under her own name in the role of The Mountain Girl in the Babylonian Story. See more »

Connections

Referenced in The Princess and the Cobbler (1993) See more »

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User Reviews

 
This deserves a 10 for technical merit and a 3 for watchability today
29 June 2007 | by (Bradenton, Florida) – See all my reviews

It's very hard to review INTOLERANCE today, as the film is so old fashioned that even comparing it to films made just a decade later is a problem. When it debuted in 1916, it was a technical masterpiece due to D. W. Griffith's insane spending habits--with the millions he sank into the film with these extraordinary sets, it couldn't help but knock the socks off the audience. The film featured live elephants (plus a few papier mache ones that were well camouflaged), thousands of extras and sets that even by today's standards are amazing. The huge walls of Babylon and the enormous statues are NOT matte paintings but were actually built for this amazing film. The problem, though, is that although people DID come to see the film, they never came in large enough numbers to recoup production costs and it was a huge box office failure. I think part of this might have been because while the film was beautiful to look at, the narrative was very confused (being made up of four separate films inter-spliced together) as well as extremely preachy AND sexy (now THAT's a unique combination).

A lot of these problems could have been avoided by simply making four separate films--or at least filming one or two of the best sequences only. Plus, two of the sequences (the story of Jesus and the St. Bartholomew's Day Massacre) seemed too choppy and incomplete--like they were more afterthoughts of Griffith. The two remaining sequences, the Babylonian and the one set in 1916 had much more merit. While the Babylonian one was pretty silly in many ways, it was by far the most visually appealing and just overwhelms the viewer. The 1916 sequence had simple contemporary sets and had an excellent story that paralleled the stingy Puritanism of John D. Rockefeller--and this alone would have made an excellent film. But when all the films were combined with their tenuous and schmaltzy message, the overall picture really bogged down and is almost laughably bad in spots. What I particularly found interesting were scenes with Jesus appearing along with some very, very risqué scenes of practically naked dancing girls from Babylon! What this film DESPERATELY needed was a producer--not D. W. Griffith tossing in everything but the proverbial kitchen sink into an overblown mega-picture that couldn't help but fail.


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