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Hell's Hinges (1916)

 -  Romance | Western  -  5 March 1916 (USA)
6.4
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Ratings: 6.4/10 from 504 users  
Reviews: 14 user | 6 critic

When Reverend Robert Henley and his sister Faith arrive in the town of Hell's Hinges, saloon owner Silk Miller and his cohorts sense danger to their evil ways. They hire gunman Blaze Tracy ... See full summary »

Directors:

, (uncredited) , 1 more credit »

Writers:

(screenplay), (story)
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Title: Hell's Hinges (1916)

Hell's Hinges (1916) on IMDb 6.4/10

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Cast

Complete credited cast:
...
Blaze Tracy (as W.S. Hart)
Clara Williams ...
Faith Henley
Jack Standing ...
Rev. Robert Henley
Alfred Hollingsworth ...
Silk Miller
Robert McKim ...
A Clergyman
J. Frank Burke ...
Zeb Taylor
...
Dolly
Edit

Storyline

When Reverend Robert Henley and his sister Faith arrive in the town of Hell's Hinges, saloon owner Silk Miller and his cohorts sense danger to their evil ways. They hire gunman Blaze Tracy to run the minister out of town. But Blaze finds something in Faith Henley that turns him around, and soon Silk Miller and his compadres have Blaze to deal with. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Romance | Western

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

5 March 1916 (USA)  »

Also Known As:

As Portas do Inferno  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(alternate)

Sound Mix:

Color:

(tinted)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Film debut of John Gilbert. See more »

Quotes

Blaze Tracy: I reckon God ain't wantin' me much, ma'am, but when I look at you, I feel I've been ridin' the wrong trail.
See more »

Connections

Featured in Hugo (2011) See more »

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User Reviews

 
The burdens of a western/silent/religious film
15 January 2005 | by (Halifax, NS) – See all my reviews

The silent western has a lot going against it. As a western, the plot is grounded in an exaggerated human experience heightened by a minimised physical environment. The silent film too has to exaggerate the experience, not only in the mannerisms of the actors, but in the setting and props as well. No wonder so many silent westerns are seen as inflated and risibly tiresome.

Add a third problem: the religious experience. This too is often exaggerated because of how profoundly inward the process is. So we have a scene with Hart cleaned up, hair combed back, nodding his head as he reads the Bible. Avoidable? Probably, Demille would have been a better candidate. But we can still admire how free of convention the film is in its structure and methods, something Hart would pursue in his more worthwhile works.

3 out of 5 - Some strong elements


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