Flirting with Fate (1916)In the midst of an emotional depression, a man hires a murderer to kill him. But the despair soon passes, and the man must now escape the killer he's hired to end his life. Director:Christy CabanneWriter:Robert M. Baker (story) |
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Douglas Fairbanks is remembered primarily as a swashbuckling hero, the original Robin Hood, Zorro, and Thief of Bagdad, but in his earlier years on screen he appeared in a series of breezy action comedies, thereby creating the template that would be followed by a number of latter-day comedians, notably Harold Lloyd. The young Doug of these films has the same bright-eyed and ambitious "go-getter" persona found in the Lloyd comedies of the '20s, and the stories usually culminate in a chase of some sort. On occasion, as in Wild and Woolly and The Mollycoddle, Doug starts off as a foolish or downright effete character who must take some hard knocks in order to grow up and win the respect of his peers, his girl, and his audience, the basic formula that Lloyd and Buster Keaton would employ, too.
Flirting with Fate is a good example of this sort of comedy, and while it's not Doug's best work it makes for an entertaining hour's worth of viewing. Here he plays an artist with financial problems, in love with a girl from a much higher social set. One minor drawback is that the early scenes of plot exposition are too leisurely and short on laughs; the supporting actors play it straight, and we wait in vain for the jolly title cards, sight gags, and satirical touches that abound in the later Fairbanks comedies. It takes a while for the comic situation to kick in, and meanwhile a series of depressing setbacks are suffered by our hero, eventually causing him to make a half-hearted attempt at suicide. We never really believe that Doug is going to go through with it, but the dark tone in these opening scenes may come as an unwelcome surprise for viewers unfamiliar with the premise.
Doug's inability to kill himself brings about the plot twist that launches the comedy in earnest, and it's a twist that may have been familiar even in 1916: Doug (who is uncharacteristically wimpy in this movie) can't face killing himself, so he hires a hit man. Then, of course, his luck changes for the better, and he wants very much to live, only now he must avoid assassination from the killer he hired, who may be disguised. Doug himself dons the world's most unconvincing fake beard and goes to great lengths to elude his assassin. This is where the movie really takes off, and the second half is quite funny. The actor who plays the intended hit man, George Beranger, is terrific, so good he practically steals the show from the nominal star. There are several sequences where Doug fearfully imagines scenarios in which he might get killed, and these deliberately overplayed, melodramatic vignettes-- strikingly performed before black backdrops --are the highlight of the film, thanks largely to Beranger's burlesque villainy. Douglas Fairbanks would go on to produce far more sophisticated movies than Flirting with Fate, but those interested in his early work will find this one quite enjoyable, once it gets rolling.