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The Dumb Girl of Portici (1916)

 -  Drama | History | Romance  -  3 April 1916 (USA)
6.2
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Ratings: 6.2/10 from 19 users  
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Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.

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(opera), (opera), 1 more credit »
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Title: The Dumb Girl of Portici (1916)

The Dumb Girl of Portici (1916) on IMDb 6.2/10

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Cast

Complete credited cast:
Anna Pavlova ...
Fenella
...
Masaniello
Wadsworth Harris ...
Duke d'Arcos
Douglas Gerrard ...
Alphonso
...
Conde (as John Holt)
Betty Schade ...
Isabella
Edna Maison ...
Elvira
Jack Hoxie ...
Perrone (as Hart Hoxie)
William Wolbert ...
Pietro
Laura Oakley ...
Rilla
Nigel De Brulier ...
Father Francisco (as N. De Brouillet)
George A. Williams
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Storyline

Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance

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Details

Country:

Language:

Release Date:

3 April 1916 (USA)  »

Also Known As:

A Muda de Portici  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Trivia

This movie is sometimes included in the filmography of Boris Karloff but his presence is unverified and Karloff himself never mentioned having worked with Anna Pavlova. See more »

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User Reviews

Overaged Cheese
13 October 2012 | by (New York City) – See all my reviews

In 1916 Lois Weber and Phillips Smalley were the go-to pair at Universal for serious tracts and interesting experimental cinema. So when Paramount did a silent movie of Carmen with opera star Geraldine Farrar and it worked beautifully, Weber and Smalley counterpunched with a silent version of MASANIELLO with great ballet dancer Pavlova -- a much more natural-sounding bit of casting for a silent movie. Then they shot it in a far more naturalistic fashion than Weber and Smalley usually used -- despite Pavlova wandering around the beach in toe shoes -- and did enormous and expensive set decorating.

Unhappily, while it probably worked very well at the time -- at least to the extent of letting audiences see the prima ballerina of the Russian ballet and in making it clear that real artists of the real arts would do movies -- this movie has not aged well. The melodramatic plot was typical of grand opera of the period, but modern tastes in stories are less grandiose and Miss Pavlova, while she moves beautifully, is clearly a stage actress and does not know how to tone down her performance for the screen. I also find the sumptuousness of the set decoration distracting.

There is much for a fan of silent movies of the 1910s to take pleasure in: the mobility of the camera, the advanced editing of the piece all serve the film in a manner that was striking in the period. However, given that almost a century has passed, much has changed to render this movie plebeian and odd. Even the word "Dumb" in the title longer means "mute" to the modern speaker of English, but "stupid". I fear the casual modern viewer will think this movie dumb in both senses of the word.


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