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Behind the Screen (1916)
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Overview
Release Date:
13 November 1916 (USA) morePlot:
Charlie is an overworked labourer at a film studio who helps a young woman find work even while his coworkers strike against his tyrannical boss. full summary | add synopsisUser Comments:
Well designed routines with an unnecessary romantic element moreCast
(in credits order) (verified as complete) | Eric Campbell | ... | Goliath (a stagehand) |
 | Charles Chaplin | ... | David (Goliath's assistant) |
| Edna Purviance | ... | The girl |
| rest of cast listed alphabetically: | |||
| Albert Austin | ... | Scene shifter (uncredited) |
| Lloyd Bacon | ... | Director of comedies (uncredited) |
| Henry Bergman | ... | Directory of history film (uncredited) |
| Leota Bryan | ... | Actress (uncredited) |
| Frank J. Coleman | ... | Producer (uncredited) |
| James T. Kelley | ... | Cameraman (uncredited) |
| Charlotte Mineau | ... | Actress (uncredited) |
| John Rand | ... | Scene shifter (uncredited) |
| Wesley Ruggles | ... | Actor (uncredited) |
| Leo White | ... | Scene shifter (uncredited) |
| Tom Wood | ... | Actor (uncredited) |
Directed by | |||
| Charles Chaplin | |||
Writing credits(in alphabetical order) | ||
| Vincent Bryan | uncredited | |
| Charles Chaplin | writer | |
| Maverick Terrell | uncredited | |
Produced by | |||
| Charles Chaplin | .... | producer | |
| Henry P. Caulfield | .... | producer (uncredited) | |
Cinematography by | |||
| Roland Totheroh | |||
Film Editing by | |||
| Charles Chaplin | (uncredited) | ||
Art Department | |||
| George Cleethorpe | .... | property master (uncredited) | |
Camera and Electrical Department | |||
| George C. 'Duke' Zalibra | .... | assistant camera (uncredited) | |
Transportation Department | |||
| Toraichi Kono | .... | driver: Mr. Chaplin (uncredited) | |
Other crew | |||
| Ed Brewer | .... | technical director (uncredited) | |
| Tom Harrington | .... | assistant: Mr. Chaplin (uncredited) | |
Production CompaniesDistributors
- Mutual Film Corporation (1916) (USA) (theatrical)
- Inter Arte Films (1974) (Spain) (theatrical) (re-release)
- Image Entertainment (1991) (USA) (video) (laserdisc)
- Image Entertainment (1995) (USA) (video) (laserdisc)
- Suevia Films (2003) (Spain) (DVD)
- Reel Media International (2004) (worldwide) (VHS)
- Grapevine Video (????) (USA) (VHS)
- Image Entertainment (????) (USA) (DVD)
- Living Colour Entertainment (2007) (Netherlands) (DVD)
- Reel Media International (2007) (worldwide) (all media)
- Reserva Especial (????) (Brazil) (VHS)
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
15 min | Germany:24 min (restored version) | Argentina:30 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.33 : 1 moreSound Mix:
SilentFilming Locations:
Lone Star Studio - 1751 Glendale Boulevard, Hollywood, Los Angeles, California, USAMOVIEmeter: 
11% since last week
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David is an assistant to stagehand Goliath in a movie studio. A young woman wanting to be an actress sneaks into the studio dressed as a boy but David discovers her. However he has enough problems with a lazy boss and an aptitude for causing trouble.
I suggest that this short has a plot but in reality the whole girl disguised as boy thing just appears to be in there to allow Chaplin to get a sneaking kiss from Purviance! However what is in the film is plenty of very funny routines including a trap door, a falling pillar and the traditional custard pie fight. These are all very funny and well designed. In fact at the time of production Chaplin took so long over each scene that Mutual Films had to apologise to it's exhibiters for the delay in release.
Chaplin himself is good as the put upon little man who gets up to mischief and the rest are basically fall guys who overact really well as you need to do in a short. Like I said, why Purviance was in this for is anyone's guess – contractual reasons? Chaplin's choice?
Despite this it is very funny with lots of enjoyable set-ups in a short time. Only the supposed romantic sub plot spoils thing slightly.