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Behind the Screen (1916) -- Charlie is an overworked labourer at a film studio who helps a young woman find work even while his coworkers strike against his tyrannical boss.

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Overview

User Rating:
7.0/10   589 votes
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Down 6% in popularity this week. See why on IMDbPro.

Director:

Charles Chaplin

Writer:

Charles Chaplin (writer)
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Contact:

View company contact information for Behind the Screen on IMDbPro.

Release Date:

13 November 1916 (USA) more

Genre:

Comedy | Short more

Plot:

Charlie is an overworked labourer at a film studio who helps a young woman find work even while his coworkers strike against his tyrannical boss. full summary | add synopsis

NewsDesk:
(46 articles)

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 (From Aceshowbiz. 30 September 2009, 8:13 PM, PDT)

'Jennifer's Body': Girl Trouble, By Kurt Loder
 (From MTV Movie News. 18 September 2009, 6:21 AM, PDT)

User Comments:

Excellent Short - Plenty of Good Slapstick, & Much More more (14 total)


Cast

  (Complete credited cast)
Eric Campbell ... Goliath (a stagehand)

Charles Chaplin ... David (Goliath's assistant)
Edna Purviance ... The girl
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Additional Details

Also Known As:

The Pride of Hollywood (USA) (alternative title)
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Runtime:

15 min | Argentina:30 min | Germany:24 min (restored version)

Country:

USA

Language:

English

Aspect Ratio:

1.33 : 1 more

Sound Mix:

Silent


Fun Stuff

Movie Connections:

Featured in Charlie: The Life and Art of Charles Chaplin (2003) more


FAQ

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4 out of 4 people found the following comment useful.
Excellent Short - Plenty of Good Slapstick, & Much More, 20 August 2001
Author: Snow Leopard from Ohio

"Behind the Screen" is an excellent Charlie Chaplin short feature, with plenty of good slapstick and much more. The setting, with Charlie working as a hired hand in a movie-making operation, lends itself to a lot of good comedy, and there are plenty of standard gags plus a lot of material that creatively uses the props and situations of the setting. It also works very well as a self-satire of the industry (as suggested by the title), making some subtle and other not so subtle points. Finally, there is some nice interplay between Charlie's character and his superiors, especially his burly, brutish immediate supervisor, played by Eric Campbell, an amusing actor who was one of Chaplin's best supporting players.

Most of these earlier Chaplin films (referring to 1914-1916, the years when he made the majority of his short features, making ten or more each year) do not get very high ratings. It's true that some of them are mostly routine slapstick, but there are also a few gems like this one that combine slapstick with substance. Most of the movies from these years can be rather hard to watch, because the film often survives in poor condition, and so it's understandable that even the best ones might not always stand out as clearly from the rest. But this one is a fine film, and definitely recommended for Chaplin fans.

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