Charlie is an overworked labourer at a film studio who helps a young woman find work even while his coworkers strike against his tyrannical boss.

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(uncredited)
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Cast

Complete credited cast:
Eric Campbell ...
Goliath - a Stagehand
...
David - His Assistant
...
The Girl
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Storyline

Three movies are being shot simultaneously and Charlie is an overworked scene shifter. The foreman is waited on hand and foot until all the shifters but Charlie go on strike. A girl looking for work pretends to be a man and helps Charlie. Charlie discovers her gender and falls in love with her. The foreman thinks they are homosexual and in the ensuing fight they become involved in a long pie throwing scene from one of the movies in production. The frustrated workers dynamite the studio. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Short | Comedy | Romance

Certificate:

TV-G | See all certifications »
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Details

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Release Date:

13 November 1916 (USA)  »

Also Known As:

The Pride of Hollywood  »

Company Credits

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Technical Specs

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Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

This is one of the few films in which Charles Chaplin's character (David) gets a name other than "Charlie" or a description like "The Tramp". Only in his last sound films does he portray people with a full name. See more »

Connections

Featured in Star Power: The Creation of United Artists (1998) See more »

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User Reviews

 
Great for Some Laughs
22 March 2010 | by (Spring Hill, FL) – See all my reviews

From 1916, this is one of Charlie Chaplin's more entertaining short films in my opinion. Chaplin is a stage assistant named David, who works under the oppressive Goliath. Problems arise when the other stage hands go on strike, leaving the work for David while Goliath torments him. One reason this film appeals to me is that, not only go you get Chaplin's usual funny schtick, but you also get a glimpse into a film studio of the time. I love seeing the simplicity of the studio sets, the single boxy film camera, and even the use of a trap door for one hilarious bit. I always love the back-and-forth between Chaplin and frequent collaborator Eric Campbell and this is one of their better shows. For that extra chuckle, the film even includes a pie fight in the finale. You can't go wrong with one of Chaplin's funnier early efforts such as BEHIND THE SCREEN.


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