6.9/10
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Les vampires (1915)

Not Rated | | Action, Adventure, Crime | 23 November 1916 (USA)
An intrepid reporter and his loyal friend battle a bizarre secret society of criminals known as The Vampires.

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1 nomination. See more awards »
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Cast

Credited cast:
...
...
...
Jean Aymé ...
Fernand Herrmann ...
Juan-José Moréno / Brichonnet
...
Marfa Koutiloff (episode II)
Rest of cast listed alphabetically:
Renée Carl ...
L'Andalouse
Suzanne Delvé ...
Fleur-de-Lys
Georgette Faraboni ...
Danseuse vampire
...
(episode V: L'évasion du mort)
Fridolin
Rita Herlor ...
Mrs. Simpson (episode I)
Émile Keppens ...
Géo Baldwin
Louise Lagrange ...
Jeanne Guérande
Suzanne Le Bret ...
Hortense - servante d'Irma
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Storyline

An intrepid reporter and his loyal friend battle a bizarre secret society of criminals known as The Vampires.

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

23 November 1916 (USA)  »

Also Known As:

The Vampires  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

In episode 8, when it is announced that the champagne is poisoned, Phillipe can be seen drinking the champagne well after the warning. See more »

Quotes

newspaper article: [newspaper article] We annouce the arrival here of American millionaire George Baldwin. Mr. Baldwin is the protagonist of a recent news incident, and this delightful character who knows no French has nonetheless learned this phrase: "Parisian women are the most charming I've ever seen."
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Connections

Edited from Les vampires: La tête coupée (1915) See more »

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User Reviews

 
one great leap for the movies
2 October 2007 | by (Canada) – See all my reviews

A ten-part serial that took eight hours to watch with breaks, this thing defies not just summary but reliable recall: describing it is like trying to describe a year in my life. Chaotic, unpredictable, upside down, with endless sneaky tricks that defy our conception of 'movie' magic because they mainly involve Cirque-type human machines doing things that couldn't have been faked so convincingly at this date. I mean, you can see the splice whenever a character turns on the light, so when the bitchy criminal mastermind Irma Vep gets wrapped up in rope, then rolls down the side of a four-story building like a human yo-yo, you know you're watching history in the making. What's more, and redemptively, the stupid detectives are REALLY stupid, including this outrageous Italian stereotype who keeps nyuk-ing straight into the camera. There's a wild chase-fight scene on a moving train, a gas attack on a large high-society do, a kid accidentally shooting his father in the nose, and God knows what else. This dumbfoundingly imaginative, yet consistently goofy and crowd-pleasing movie could only have happened in a medium whose limits had not yet been properly defined - in fact you can see the definition happening on screen. When I grow up I want to be Henri Langlois, founder of the Cinematheque Francais, who rescued the world's only print of this film from the curb on garbage day. Hooray!


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