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Posle smerti (1915)

 -  Drama  -  7 March 1995 (Germany)
6.4
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Ratings: 6.4/10 from 451 users  
Reviews: 5 user | 4 critic

Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. ... See full summary »

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Title: Posle smerti (1915)

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Cast

Complete credited cast:
Vitold Polonsky ...
Andrei Bagrov
Olga Rakhmanova ...
Kapitolina Markovna, his aunt
Vera Karalli ...
Zoya Kadmina
Mariya Khalatova ...
Her mother (as M. Chalatova)
Tamara Gedevanova ...
Her sister (as T. Gedevanova)
Marfa Kassatskaya ...
Princess Tarskaya (as M. Kasazkaya)
Georg Asagaroff ...
Andrei's friend (as Georgi Azagarov)
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Storyline

Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. After watching the actress Zoya Kadmina perform, Andrei is fascinated with her, and is then astounded to receive a note from her. He has only one brief meeting with her, and then three months later he is shocked to learn of her death. He now becomes obsessed with her memory, and he decides that he must find out all that he can about her. Written by Snow Leopard

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

7 March 1995 (Germany)  »

Also Known As:

After Death  »

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Aspect Ratio:

1.33 : 1
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User Reviews

Very Well-Crafted, Memorable Psychological Drama
27 June 2005 | by (Ohio) – See all my reviews

This very well-crafted Yevgeni Bauer melodrama turns a relatively simple story into a movie that you're not likely to forget once you've seen it. It would be quite hard not to identify with the anxiety and frustrations of the two main characters, and Bauer had an almost unmatched feel for the way to present this kind of psychological drama on the silent screen.

The basic theme, which is the way that we remember interesting or important persons in our lives "After Death", is the kind of topic that Bauer seems to have found fascinating. A slightly later feature of his, "Daydreams", is a masterful treatment of similar ideas. Here in "After Death", the main character, Andrei, finds himself in the hold first of his mother, then of a fascinating actress.

The actual story is not particularly complex, yet the psychological implications are considerable, and they can leave you with a lot to think about. Bauer also shows a keen touch for how to use the camera and lighting to good effect. His use of pans and tracking shots always seem to come at the right moments, neither over-used nor under-used, directing the viewer's attention just where he wants it to go for best effect.


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