Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can't stop snooping.
Walking along with his bulldog, Charlie finds a "good luck" horseshoe just as he passes a training camp advertising for a boxing partner "who can take a beating." After watching others lose... See full summary »
Gilbert M. 'Broncho Billy' Anderson
When a married couple become separated in the park, Charlie takes up with the lady and is beat up when her husband rejoins her. He takes a room in their hotel, and she sleepwalks into his ... See full summary »
Charlie and Ben pay a visit to a pub, then decide to visit a swanky restaurant. Now intoxicated, they come into conflict with a French dandy and his ladyfriend. The large head waiter violently ejects Ben, and later ejects Charlie also. The pair pay another visit to a pub, then make their way to their hotel. They become interested in a pretty young woman staying in the room across the hall, but when Charlie spies on her through the keyhole a bellboy makes him stop. Charlie is taken aback to realize that the young woman's husband is the head waiter from the restaurant. He promptly checks out and moves to another hotel. Meanwhile, the head waiter and his wife, dissatisfied with the service, also decide to move to another hotel-- and, unfortunately, choose the same one Charlie has chosen, and once more wind up in the room across the hall from him. When the young woman's dog runs into Charlie's room she follows in her pajamas. Her husband returns to find his wife with Charlie in an ... Written by
One of Chaplin's better efforts from his early days at Essanay which isn't really that much of a recommendation, as both Chaplin and his creation were far from the finished article when this was made. With his exaggerated motions and heavy-eyed contemplation of things he can't quite understand due to his inebriated state, Chaplin exquisitely captures the behaviour of one who has had more than one too many. He's partnered for the first time with Edna Purviance here, and they work well together. The story itself is typical of the violence with which Chaplin's work seemed to be obsessed at this time. He had obviously found a formula that worked
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