Mary Denby becomes a seamstress after her husband Steve wastes their money on booze. Her employer provides her as an escort to accompany millionaire Roger Manning. Her husband tries ... See full summary »
John Trimble has embezzled and obtains another identity by having a mutilated body buried in his place. He is later arrested for murdering himself. During the trial his mother, before dying... See full summary »
Cecil B. DeMille
The parallel stories of a modern preacher and a medieval monk, Gabriel the Ascetic, who is killed by an ignorant mob for making a nude statue representing Truth, which is also represented by a ghostly naked girl who flits throughout the film.
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees ... See full summary »
Cecil B. DeMille
An old sheik punishes his son Jamil for robbing a caravan by giving his horse to the wronged merchant. The horse is sold to a Turkish general then given to a Christian missionary Mary ... See full summary »
Cecil B. DeMille
Horace B. Carpenter,
Mary Denby becomes a seamstress after her husband Steve wastes their money on booze. Her employer provides her as an escort to accompany millionaire Roger Manning. Her husband tries blackmailing Manning and is later killed by the police, leaving Mary free to wed the millionaire. Written by
Ed Stephan <email@example.com>
The role of "Mary Denby" was first assigned to Edna Goodrich, and a good portion of the film was in the can when her drinking problem became so severe that Cecil B. DeMille fired her and shut down production long enough to find a new star, Cleo Ridgely. DeMille was then forced to continue directing The Cheat (1915) during the day while directing the re-shoots of this movie at night. See more »
If you're interested in the history of film, this movie is definitely worth watching. As other reviewers pointed out, it is a melodrama, but it has a number of interesting surprises that you won't see in other flicks from the period. DeMille pays good attention to small emotional reactions, and the camera is placed pretty close to the actors, a nice change from the stagey feel of some movies even into the late teens. There are two scenes showing physical fights that are marvelously staged--gritty even by today's standards. And the ending would be rare in today's Hollywood.
I was always curious about Wallace Reid, because I read a little about his tragic personal life in a movie book years ago--here he appears in all his youthful strength and good looks. Cleo Ridgely projects a lot of emotion, and only occasionally goes a little overboard. It's easy to sympathize with the plight of her character. The two bad guys are straight out of Jacob Riis photos. I can see why they didn't work for some viewers who have posted their comments, but I found them fascinating, especially the way their dark emotions were enhanced by the movie's lighting. My favorite player was Edythe Chapman, as a wealthy woman hoping to advance her husband's business.
If you can get into the spirit of 1915 in order to enjoy this film on its own level, you will find it worth your while.
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