Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they ... See full summary »
Charlie talks wealthy farmer's daughter Tillie into eloping with him (and taking her father's money). In the city Tillie gets drunk and lands in jail while Charlie runs off with her money ... See full summary »
Terje Vigen, a sailor, suffers the loss of his family through the cruelty of another man. Years later, when his enemy's family finds itself dependent on Terje's beneficence, Terje must ... See full summary »
Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by
Ed Stephan <firstname.lastname@example.org>
The surviving copy is from the 1918 re-release, and so the date on the check and the date in the newspaper have been altered from 1915 to 1918 in an attempt to make it seem like a contemporary film. See more »
According to the date on the check, the shooting occurred on September 17th. However, the next day's newspaper which reports the crime is dated April 27th. See more »
THE CHEAT is interesting only from the standpoint that it's an early silent film from Cecil B. DeMille and the fact that the most realistic performance is given by Japanese actor SESSUE HAYAKAWA, famous now for his work in films like THE BRIDGE ON THE RIVER KWAI.
Even at a young age, he could give glowering glances like no other, saying more with his facial expressions than any dialog could convey. The rest of the cast indulges in broad, silent screen style of acting that sometimes borders on the ludicrous, but Hayakawa is restrained in technique and yet powerful.
The story is the old chestnut about a wife who is forced to cheat on her husband and then--to save herself from a fate worse than death-- she's forced to shoot the man who humiliates her by branding her as his property. She saves her virtue but her adoring husband takes the blame for her crime, which leads toward an explosive courtroom climax where Cecil B. DeMille lets his overabundance of energy show itself in a rowdy, overpopulated courtroom where the frenzied crowd reacts to her sobbing confession.
Fans of silent films will probably relish this one--but others have to beware. As for the fashions of 1915, they have to be the ugliest clothes women ever wore in an effort to look elegant. You have to see the film to know what I mean.
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