The Champion (1915)

User Rating:

6.7/10   

Director:

Charles Chaplin

Writer:

Charles Chaplin (writer)

Release Date:

11 March 1915 (USA)

Genre:

Short | Comedy | Sport

Plot:

Walking along with his bulldog, Charlie finds a "good luck" horseshoe just as he passes a training camp...

Plot Keywords:

Boxing | Horseshoe In Glove | Dog | Boxer Dog | Silent Film

Cast

Charles Chaplin	...	Challenger
Edna Purviance	...	Trainer's Daughter
Ernest Van Pelt	...	Spike Dugan
Lloyd Bacon	...	Second Sparring Partner / Exerciser in Gym / Referee
Leo White	...	Crooked gambler
Carl Stockdale	...	Sparring Partner
Billy Armstrong	...	Sparring Partner
Paddy McGuire	...	Sparring Partner
Bud Jamison	...	Bob Uppercut, Champion
Ben Turpin	...	Ringside vendor

Also Known As:

Battling Charlie
Champion Charlie
Charlie the Champion (USA)

Runtime:

33 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Finland:S (1973) | Finland:(Banned) (1915) | Argentina:Atp | Spain:T

Filming Locations:

Niles, California, USA

Company:

Essanay Film Manufacturing Company, The

Trivia:

This is the earliest registered Chaplin-film to be shown in Sweden, on August 23, 1915. The event was advertised for in the British press at the time.

Movie Connections:

Featured in Charlie Chaplin: The Little Tramp (1980) (TV)

This is where Chaplin's career as a great film comedian really begins

Like so many of Charlie Chaplin's early films THE CHAMPION has been subjected to a lot of tampering over the years. Depending on which print you see, the tough guy Charlie knocks out might be named Spike Dugan or Spike Henessy, his hefty opponent in the ring might be identified as Young Hippo or Bob Uppercut, leading lady Edna Purviance's presence during the training sessions may or may not be explained (some prints indicate she's the trainer's daughter), Charlie's encounter with two cops might be deleted, and, all told, the film's running time could be anywhere from twenty minutes to as little as nine or ten. It's appalling what distributors have done to Chaplin's work; movies are renamed, scenes are rearranged or chopped out, and "jokey" intertitles are added which are often unfunny, inappropriate and/or in poor taste. On top of all that deliberate abuse the inevitable ravages of time and heavy usage have taken a toll on the quality of the prints themselves. Happily, however, and despite the rough treatment it has sustained, THE CHAMPION stands as one of Chaplin's funniest and most satisfying early comedies. The film boasts lots of sure-fire gags, colorful supporting players, and an especially vigorous and winning performance from the leading player himself.

During his apprenticeship at Keystone in 1914 Chaplin learned the rudiments of filmmaking from Mack Sennett, who liked his comedies low and fast. Thus, in his earliest movies Chaplin is concerned only with action and gags, and doesn't appear to care whether the viewer likes his character or not; sometimes he's an out-and-out rotter. But with this new series for the Essanay Company Chaplin learned, first, to slow down a little and let things unfold as they may. More importantly, he learned to develop a sympathetic character viewers could care about.

The opening of THE CHAMPION shows Charlie sitting on a stoop with his only friend, an endearingly ugly bulldog named Spike, as they eat a meal. Charlie offers a sausage to Spike who, amusingly, chooses to eat only after the sausage has been properly seasoned. It's a charming scene and a leisurely one, and it sets an agreeable tempo. By the time the sequence is over --whether we've seen Charlie before or not-- we like this poor guy and his ugly dog, and we're rooting for them. When Charlie decides to try his luck as a boxer he even manages to retain our sympathy when he employs less-than-ethical means to knock out his foe.

Later, we're troubled when Charlie seems to flirt with the idea of accepting a bribe from a crooked gambler, but ultimately the crook gets what he deserves and Charlie is more The Good Guy than ever. This sequence, by the way, is perhaps the funniest in the entire film. Gambler Leo White is hilariously hammy, and Charlie peppers us with gags using every available prop: the paper money he grips in his mouth, the gun that points every which way, and even Leo White's villainous mustache, which Charlie reaches over and twirls one step ahead of the villain.

Everything builds towards the climactic battle. Chaplin fans taking the long view might regard this as a dry run for the big fight in CITY LIGHTS (1931), but the boxing match in THE CHAMPION can hold its own as a great sequence in its own right. In addition to being well staged and beautifully timed, the scene features several notable participants silent film buffs will recognize. Charlie's tubby opponent in the ring is character actor Bud Jamison, at the beginning of a 30-year career supporting almost every famous comic of the era. In the stands meanwhile are two prominent players of the day, G. M. "Broncho Billy" Anderson and Ben Turpin. Anderson was among the very first Western stars and also happened to be a co-founder of the Essanay Company, producers of this film. Therefore Anderson was in effect Chaplin's boss, and his cameo (as a highly enthusiastic spectator) can be seen as something of a good-natured inside joke. Ben Turpin, on the other hand, had co-starred with Chaplin in his two previous comedies, but the two men disliked each other and went their separate ways after this point. Turpin is granted a very brief bit as a peanut vendor in the stands during the bout, clambering over spectators before he is bodily thrown out-- out of the stands, out of the film, and, in effect, out of Chaplin's orbit.

In any event, the fight makes for a funny and exciting finale, and it provides Spike the dog with one last moment of screen immortality. [Sadly, the dog was struck and killed by a car shortly after this movie was completed.] For Spike's co-star, THE CHAMPION was not only a vast improvement over his earlier work, but the first of many classic comedies.