| Photos (See all 55 | slideshow) |
| Lillian Gish | ... | Elsie - Stoneman's Daughter | |
| Mae Marsh | ... | Flora Cameron - The Pet Sister | |
| Henry B. Walthall | ... | Col. Ben Cameron (as Henry Walthall) | |
| Miriam Cooper | ... | Margaret Cameron - Elder Sister | |
| Mary Alden | ... | Lydia - Stoneman's Mulatto Housekeeper | |
| Ralph Lewis | ... | Hon. Austin Stoneman - Leader of the House | |
| George Siegmann | ... | Silas Lynch - Mulatto Lieut. Governor (as George Seigmann) | |
| Walter Long | ... | Gus - A Renegade Negro | |
| Robert Harron | ... | Tod - Stoneman's Younger Son | |
| Wallace Reid | ... | Jeff - The Blacksmith (as Wallace Reed) | |
| Joseph Henabery | ... | Abraham Lincoln (as Jos. Henabery) | |
| Elmer Clifton | ... | Phil - Stoneman's Elder Son | |
| Josephine Crowell | ... | Mrs. Cameron | |
| Spottiswoode Aitken | ... | Dr. Cameron | |
| George Beranger | ... | Wade Cameron - Second Son (as J.A. Beringer) | |
| Maxfield Stanley | ... | Duke Cameron - Youngest Son | |
| Jennie Lee | ... | Mammy - The Faithful Servant | |
| Donald Crisp | ... | Gen. U.S. Grant | |
| Howard Gaye | ... | Gen. Robert E. Lee | |
| rest of cast listed alphabetically: | |||
| Monte Blue | ... | Minor Role (uncredited) | |
| Harry Braham | ... | Cameron's Male Servant (uncredited) | |
| Bob Burns | ... | Klan Leader (uncredited) | |
| Edmund Burns | ... | Klansman (uncredited) | |
| Edward Burns | ... | Klansman (uncredited) | |
| Fred Burns | ... | Klansman (uncredited) | |
| David Butler | ... | Northern Soldier / Confederate Soldier (uncredited) | |
| Peggy Cartwright | ... | Young Girl in Cabin (uncredited) | |
| William E. Cassidy | ... | Minor Role (uncredited) | |
| Dark Cloud | ... | General (uncredited) | |
| Lenore Cooper | ... | Elsie's Maid (uncredited) | |
| Sam De Grasse | ... | Sen. Charles Sumner (uncredited) | |
| William De Vaull | ... | Nelse (uncredited) | |
| Charles Eagle Eye | ... | Man Who Falls from Roof (uncredited) | |
| John Ford | ... | Klansman on Horse Holding Up Hood with Hand (uncredited) | |
| Alberta Franklin | ... | Minor Role (uncredited) | |
| William Freeman | ... | Jake / Sentry at Hospital (uncredited) | |
| Gibson Gowland | ... | Minor Role (uncredited) | |
| Olga Grey | ... | Laura Keene (uncredited) | |
| D.W. Griffith | ... | Himself (1931 reissue version) (uncredited) | |
| Fred Hamer | ... | Minor Role (uncredited) | |
| Russell Hicks | ... | Minor Role (uncredited) | |
| Walter Huston | ... | Himself (1931 reissue version) (uncredited) | |
| Charles King | ... | Undetermined Role (uncredited) (unconfirmed) | |
| Alberta Lee | ... | Mrs. Lincoln (uncredited) | |
| Elmo Lincoln | ... | Blacksmith (uncredited) | |
| Betty Marsh | ... | Child with Dr. Cameron (uncredited) | |
| Donna Montran | ... | Belle of 1861 (uncredited) | |
| Eugene Pallette | ... | Union Soldier (uncredited) | |
| Vester Pegg | ... | Minor Role (uncredited) | |
| Alma Rubens | ... | Belle of 1861 (uncredited) | |
| Allan Sears | ... | Klansman (uncredited) | |
| Charles Stevens | ... | Volunteer (uncredited) | |
| Madame Sul-Te-Wan | ... | Black Woman - Dr. Cameron's Taunter (uncredited) | |
| George Walsh | ... | Minor Role (uncredited) | |
| Raoul Walsh | ... | John Wilkes Booth (uncredited) | |
| Jules White | ... | Confederate Soldier (uncredited) | |
| Violet Wilkey | ... | Flora Cameron as a Child (uncredited) | |
| Tom Wilson | ... | Stoneman's Servant (uncredited) | |
| Mary Wynn | ... | Minor Role (uncredited) | |
Directed by | |||
| D.W. Griffith | |||
Writing credits | ||
| Thomas Dixon Jr. | (adapted from his novel: "The Clansman: An Historical Romance of the Ku Klux Klan") (as Thomas F. Dixon Jr.) | |
| Thomas Dixon Jr. | play "The Clansman" (as Thomas F. Dixon Jr.) and | |
| Thomas Dixon Jr. | novel "The Leopard's Spots" (as Thomas F. Dixon Jr.) | |
| D.W. Griffith | & | |
| Frank E. Woods | ||
Produced by | |||
| D.W. Griffith | .... | producer | |
| H.E. Aitken | .... | executive producer (uncredited) | |
Original Music by | |||
| Joseph Carl Breil | (music) | ||
| D.W. Griffith | (music) | ||
Cinematography by | |||
| G.W. Bitzer | |||
Film Editing by | |||
| D.W. Griffith | |||
| Joseph Henabery | |||
| James Smith | |||
| Rose Smith | |||
| Raoul Walsh | |||
Costume Design by | |||
| Robert Goldstein | (uncredited) | ||
| Clare West | (uncredited) | ||
Art Department | |||
| Ralph M. DeLacy | .... | property master (uncredited) | |
| Shorty English | .... | carpenter (uncredited) | |
| Jim Newman | .... | assistant carpenter (uncredited) | |
| Cash Shockey | .... | set painter (uncredited) | |
| Joseph Stringer | .... | set builder (uncredited) | |
| Hal Sullivan | .... | assistant property master (uncredited) | |
| Frank Wortman | .... | set designer (uncredited) | |
Special Effects by | |||
| Walter Hoffman | .... | special effects supervisor (uncredited) | |
| 'Fireworks' Wilson | .... | special effects (uncredited) | |
Stunts | |||
| Monte Blue | .... | stunts (uncredited) | |
| Charles Eagle Eye | .... | stunts (uncredited) | |
| Leo Nomis | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Karl Brown | .... | camera operator (uncredited) | |
| Frank B. Good | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Goldstein | .... | costumer (uncredited) | |
Editorial Department | |||
| Karl Malkames | .... | negative: Killiam Shows | |
Music Department | |||
| Fraser Macdonald | .... | score arranger: Killiam Shows | |
| William Axt | .... | music arranger: 1921 revival (New York ) (uncredited) | |
| Harry Berken | .... | musician: trumpeter (uncredited) | |
| Carli Elinor | .... | conductor (uncredited) | |
| Louis F. Gottschalk | .... | music adaptor: 1930 synchronized version (uncredited) | |
| Herman Hand | .... | music arranger: 1921 revival (New York ) (uncredited) | |
| Joseph Nurnberger | .... | composer: overture (Los Angeles premiere ) (uncredited) | |
| Erno Rapee | .... | music arranger: 1921 revival (New York ) (uncredited) | |
Other crew | |||
| D.W. Griffith | .... | presents | |
| Jim Kidd | .... | security officer (uncredited) | |
| Abe Scholtz | .... | laboratory technician (uncredited) | |
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| Gone with the Wind | Giant | Abraham Lincoln | Broken Blossoms or The Yellow Man and the Girl | Cleopatra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
As I read these comments on this most controversial film, what is coming across is a surfeit of emotion that any film rarely engenders. I wonder if any of our modern films will be able to evoke such passionate response 90 years from now and the fact is, I think not. Yes, the film is racist. Yes, the film is a watershed for cinema. And no matter what you think of it, it's still got people stirred up, ready to scream and yell and be appalled, disgusted, outraged, etc. Can there be any doubt as to its greatness if it still has such a life today? Its greatness certainly doesn't lie in its subject matter, but in the fact that this silent film can provoke such reactions in a generation weaned on computer graphic images, a generation that views the silents much as they view watching a parade of fossils drift by. I am literally stunned by the power of a piece of film to move so many so long after it came into the world. Perhaps its greatest lesson is the impact films have on us and our society and how powerful those moving images can really be. Something tells me that 90 more years will go by and this message board--if it's still here--will be still be getting impassioned opinions from those who have just seen Birth of a Nation. My word--what immortality!