Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Two brothers, Phil and Ted Stoneman, visit their friends in Piedmont, South Carolina: the family Cameron. This friendship is affected by the Civil War, as the Stonemans and the Camerons must join up opposite armies. The consequences of the War in their lives are shown in connection to major historical events, like the development of the Civil War itself, Lincoln's assassination, and the birth of the Ku Klux Klan. Written by
Victor Munoz <firstname.lastname@example.org>
Chicago, Illinois, Wednesday, February 28, 1940: "Judge Donald McKinley yesterday ordered the Chicago Police Department to cease interference with The Birth of a Nation (1915), which the police department stopped recently at the Admiral Theater on Lawrence Avenue. The court ruled that an injunction issued March 5, 1917 against police interference was still effective. The film will be shown at the Sonotone Theater, starting Friday." See more »
The position and condition of the flag on the left-hand side of Lincoln's box at Ford's Theater varies between shots. In the first long shot after Elsie points out Booth, it is hanging downwards from the middle, whereas in the shots immediately before and after, it is shown draped across the front of the left-hand railing. Similarly, after Booth shoots Lincoln and jumps from the box, the flag falls to the left-hand side of the box and an audience member is later shown pulling it down twice. See more »
[Northern solider is trying to keep wounded Ben's mother out of hospital]
I am going into that room to my boy. You may shoot if you want to.
See more »
The following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare. See more »
I have watched this film several times over the years, and I find the second half dealing with reconstruction a little harder to watch each time. Although its racist viewpoint may have mirrored much of America in 1915, it obviously was not the only viewpoint, since America had its abolitionists in the early 1800s. Griffith endorses just about every wretched stereotype put forth by the south during and after reconstruction, namely the venality of all northerners and the baseness of all blacks who did not completely bow to whites. A good example is that the disdainful depiction of the black-run state legislature is based on a cartoon, not an actual photograph or contemporary description. Griffith's portrayal of northerners and blacks is completely from the point of view of a white southern racist. Although I greatly admire much of his work, he deserved the criticism he got for this film. Aside from the political racism, much of the second half of the film is just silly melodrama, even based on 1915 standards and other Griffith work.
62 of 98 people found this review helpful.
Was this review helpful to you?