Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Two brothers, Phil and Ted Stoneman, visit their friends in Piedmont, South Carolina: the family Cameron. This friendship is affected by the Civil War, as the Stonemans and the Camerons must join up opposite armies. The consequences of the War in their lives are shown in connection to major historical events, like the development of the Civil War itself, Lincoln's assassination, and the birth of the Ku Klux Klan. Written by
Victor Munoz <email@example.com>
During filming, camera operator Karl Brown was sure that the movie was just another typical melodrama. At the film's premiere, D.W. Griffith had hired the entire Los Angeles Philharmonic Orchestra to play the score for the film. Brown was amazed; nothing like this had been done before. When the conductor raised his baton, and the orchestra started playing, he said it was so amazing and loud he was shaking his head, "It was like nothing I ever heard." Brown additionally remembers that Griffith hummed certain themes to the composer of the original score that he wanted. See more »
Car tire tracks are visible in the KKK segment. See more »
The following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare. See more »
I have watched this film several times over the years, and I find the second half dealing with reconstruction a little harder to watch each time. Although its racist viewpoint may have mirrored much of America in 1915, it obviously was not the only viewpoint, since America had its abolitionists in the early 1800s. Griffith endorses just about every wretched stereotype put forth by the south during and after reconstruction, namely the venality of all northerners and the baseness of all blacks who did not completely bow to whites. A good example is that the disdainful depiction of the black-run state legislature is based on a cartoon, not an actual photograph or contemporary description. Griffith's portrayal of northerners and blacks is completely from the point of view of a white southern racist. Although I greatly admire much of his work, he deserved the criticism he got for this film. Aside from the political racism, much of the second half of the film is just silly melodrama, even based on 1915 standards and other Griffith work.
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