Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Two brothers, Phil and Ted Stoneman, visit their friends in Piedmont, South Carolina: the family Cameron. This friendship is affected by the Civil War, as the Stonemans and the Camerons must join up opposite armies. The consequences of the War in their lives are shown in connection to major historical events, like the development of the Civil War itself, Lincoln's assassination, and the birth of the Ku Klux Klan. Written by
Victor Munoz <email@example.com>
In original program material, George Beranger is listed as "J.A. Beringer" and the character of Duke Cameron is credited to "John French". Also, Wallace Reid's name is misspelled "Reed" in original programs. See more »
The South Carolina coastline does not have bluffs overlooking the ocean. See more »
The following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare. See more »
As I read these comments on this most controversial film, what is coming across is a surfeit of emotion that any film rarely engenders. I wonder if any of our modern films will be able to evoke such passionate response 90 years from now and the fact is, I think not. Yes, the film is racist. Yes, the film is a watershed for cinema. And no matter what you think of it, it's still got people stirred up, ready to scream and yell and be appalled, disgusted, outraged, etc. Can there be any doubt as to its greatness if it still has such a life today? Its greatness certainly doesn't lie in its subject matter, but in the fact that this silent film can provoke such reactions in a generation weaned on computer graphic images, a generation that views the silents much as they view watching a parade of fossils drift by. I am literally stunned by the power of a piece of film to move so many so long after it came into the world. Perhaps its greatest lesson is the impact films have on us and our society and how powerful those moving images can really be. Something tells me that 90 more years will go by and this message board--if it's still here--will be still be getting impassioned opinions from those who have just seen Birth of a Nation. My word--what immortality!
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