| Index | 4 reviews in total |
18 out of 19 people found the following review useful:
This was the first significant version., 11 November 2002
Author:
Cipher-J from USA
Finding a recorded copy may be hard to do, but not impossible. There are
at
least two versions that have survived from the original, both lasting
approximately forty minutes. The original was a six-reeler, or about an
hour long, which may also have included scenes from the "Through the
Looking
Glass" story. Minimally, what has survived is missing the defining scene
early in the story where Alice grows very big and than small, then later
the
Mad Hatter scene. We know that these scenes were originally included
because Grosset & Dunlap published a book version in 1916, illustrated
with
pictures from this film. This shows that in addition there was also an
Oyster, Humpty Dumpty, Tweedledee and Tweedledum, chess room, and a Queen
Alice Banquet scene, but whether as part of this film or another is not
clear.
Viola Savoy was fifteen years old at the time, and a well known child
actress for having toured the nation for several years in the road-show
version of "The Littlest Rebel." Whether she was the first to perform
the
role of Virgie in that play, or not, clearly she was the most popular,
which
fact contributed to her being cast as Alice in this film. As interviewed
in
1912 she had been acting since infancy in over one hundred and twenty
different productions. After the "Alice" film, however, she appeared in
no
more than one or two more films before disappearing from the pages of
history.
Attempting to evaluate the quality of a circa 1915 "photoplay" rather
assumes too much. The industry was yet very young. The notion of
"close-up" photography was only beginning to be experimented with and
hence,
more often, the camera just cranked away from a fixed position, rather
like
someone sitting in the audience of a typical stage play. While plenty of
creativity went into the costuming and set design for this film, the
camera
remains conspicuous for its lack of imagination. Everything is shot from
a
distance, and as a result, often there is too much going on to keep track
of, and the more subtle features cannot be seen. The nuances of facial
expression, therefore, have a forced and exaggerated quality which does
nothing to flatter the actress. Additionally, the restricted camera
position forces her to be upstaged in all too many scenes. Even so, it
is a
hauntingly captivating film, delightful to see.
8 out of 8 people found the following review useful:
Surreal., 30 September 2009
Author:
JoeytheBrit from www.moviemoviesite.com
Viola Savoy plays Alice in this early silent adaptation of incidents
from both Alice in Wonderland and Alice Through the Looking Glass.
She's good enough, but it's the creatures she encounters that capture
the viewer's attention. This being 1915, long before the concept of CGI
etc, all the creatures are actors in costumes that barely rise above
pantomime quality but which were probably quite impressive for their
day. The film shows most of the familiar scenes from the books
although, possibly because of the technical difficulties involved, it
fights shy of showing us Alice shrinking and growing. The Mad Hatter's
tea party is also missing, which is something of a surprise.
Watching this film, it struck me how easily the story of Alice could be
told as a horror story with babies turning into pigs, mad monarchs
threatening everyone with decapitation, etc. As it is, the combination
of outlandish costumes filmed against real rural or coastal locations
and the absence of dialogue gives this film a strangely surreal,
dreamlike atmosphere at times that is quite pleasant to watch.
Quaint. Not Half Bad As A Adaptation, 20 March 2012
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Author:
johnstonjames from United States
*** This review may contain spoilers ***
i enjoyed this. but i usually enjoy most approaches on this subject
since i find Lewis Carroll irresistible and fascinating history. i also
really find silent cinema a lot of fun history too.
this was a really cute old silent. i don't think it was great cinema or
D.W. Griffith or anything like that. it was actually pretty typical for
the time period. aside from the goofy monsters and elaborate costumes.
even the silent version of 'Peter Pan' was better cinema than this, and
'Pan' itself is a little pedestrian and unoriginal at times. but like
the silent 'Pan' film, this is mostly for laughs and cuteness.
this was also not half bad as a adaptation. pretty much all the 'Alice'
films only briefly mention the 'Father William' poem, where this film
silent presents it in entirety. somewhat ironic that a non talking
silent would do that. it also presents a startling image of the Tenniel
illustration of Father William doing his somersault.
even some young children might find this amusing if they are familiar
with the story. but most of today's high tekkie, younger generation,
will probably find most of this to be a rickety old monster creep show.
i thought it cute, but there were moments that repulsed me and gave me
the creepy crawlies. a lot of silent movies can do that.
at least it wasn't all dark and scary like the silent version of 'The
Bluebird'.
this film is a definite must see for 'Alice' fans and silent movie
buffs.
4 out of 8 people found the following review useful:
A Special Silent Delicacy, 28 June 2006
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Author:
FerdinandVonGalitzien (FerdinandVonGalitzien@gmail.com) from Galiza
As the longhaired must know by now, this German Count has a likeness
for the non-conventional (for example, my dearest German fat heiresses)
and a particular and aristocratic taste for bizarre beauty. With this
in mind, then you even can comprehend why this Teutonic aristocrat
loves this film so much; it's one of the most remarkable silent
discoveries from the last visit to the Schloss cinema.
The film is "Alice In Wonderland", a beautiful (always at the top of
this aristocrat's criteria
) and astounding film adaptation of the
well-know oeuvre by Herr Lewis Carroll. This film was the third film
adaptation of that novel and was directed by W. W. Young. For this
German count, it is among the best that he has watched with or without
a monocle in his eyes.
The film, starred by the youngster Viola Savoy, is a continuous show of
incredible and amazing costumes (which would be perfect for an
aristocratic fancy-dress ball
). The pageantry enhances the fantastic
spirit of the novel and displays a marvelous, bizarre and unique world
full of fantasy and imagination that can be enjoyed by youngsters or
even serious aristocrats.
The film has not completely survived until modern days (and it's a
shame, certainly). In spite of this, the audience will enjoy the animal
characters depicted in the film, which include a bizarre Cheshire cat,
an astounding caterpillar or a funny Queen Of Hearts. This last one, as
it happens with many of the aristocracy, has a special hobby. Namely
it's to cut off their subject's heads (this German Count doesn't
understand why some of you are shocked when this aristocrat merely
whips his servants
). There's a special gallery of characters from
dreamland.
The film has few special or optical effects. But in this case they are
not necessary. Thanks to the craftsmanship provided by the art designer
that's shown in the film, we have proof that in those silent days that
imagination and originality is the only thing that counts in order to
achieve marvelous results.
Thanks to its imagination, costume designer, boldness and skillfulness
Herr W. W. Young film direction, "Alice In Wonderland" it is, for this
German Count, the best film adaptation of the Herr Carroll's novel.
It's a special delicacy: an early silent film masterpiece that every
silent film fan shouldn't miss.
And now, if you'll allow me, I must temporarily take my leave because
this German Count has an appointment with that foolish heart Queen.
Herr Graf Ferdinand Von Galitzien
http://ferdinandvongalitzien.blogspot.com/
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