Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of ... See full summary »
Cecil B. DeMille
Captain Wynnegate leaves England, accepting the blame for embezzling charity funds though knowing that his cousin Sir Henry is guilty. Out West he and the Indian girl Nat-U-Rich save each ... See full summary »
Cecil B. DeMille
A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is ... See full summary »
Captain Wynnegate leaves England, accepting the blame for embezzling charity funds though knowing that his cousin Sir Henry is guilty. Out West he and the Indian girl Nat-U-Rich save each other from the evil cattle rustler Cash Hawkins and marry. Lady Diana shows up to announce Sir Henry's death. After Nat-U-Rich's suicide Wynnegate takes his half-breed son and Lady Diana back to England as the new Earl of Kerhill. Written by
Ed Stephan <firstname.lastname@example.org>
The musical composition "Nat-u-ritch: An Indian idyll. Intermezzo from The Squaw Man" by Theodore Bendix was published to promote the picture. See more »
Early in the film, when Captain James Wynnegate (played by Dustin Farnum) is on board the sailing ship, he writes a note asking that a "check" enclosed with the note be cashed for him. Since Captain Farnum is an Englishman, he would have spelled the word as "cheque", the standard British spelling. (Moreover, the handwriting in the note is scarcely that of an educated British military officer: the lines of writing are crooked and the letters are crudely formed.) See more »
This is an adaptation of a stage play--an awful melodrama, which incorporates the Western and flirts with taboo love--adultery and miscegenation. Apparently, Oscar Apfel was doing poorly at teaching Cecil B. DeMille how to direct; there's plenty of outside filming, which is supposed to be a benefit of California, yet this movie is remarkably inept in how the framing of outside scenes is as theatrical as the scenes inside. Of course, it was a commercial success, leading DeMille to remake it twice, and is now a footnote in film history. Probably of more consequence than it being a feature-length film made in Hollywood, unoriginal reinforcement though it was, is the movie's soap opera histrionics coupled with a Caucasian playing a Native-American.
The actors of this movie protrude what their characters would be doing or feeling via gestures, staring at nothing and other magnified histrionics; they're trying to communicate the plot to the audience despite silence and a distanced camera. There's no realism, subtlety, nor, even, characters. The directors and actors of "The Squaw Man" blunder further by misunderstanding the silence concept. Silent films are silent to us, but the fictional world within a silent film is usually not silent. (Likewise, we still hear the music scores in modern films while the characters in the fictional world don't.) In this film, there are some awkward moments when a character lingers behind unnoticed, or is transparently suspicious-looking, but that happens to be when everyone is looking at something else. Yet, I suppose they still do that in soap operas.
In defence of DeMille, it was his first film, and senior director Apfel surely deserves more blame. One learns from imitation, and there weren't many worth imitating then. There was no indication in "The Adventures of Dolly" that Griffith would become the best director in the world. To see DeMille's potential, watch the subsequent year's "The Cheat". Its story is also wanting, flirts with adultery and miscegenation and is driven by embezzlement from charity, but, otherwise, the films couldn't be more different.
13 of 19 people found this review helpful.
Was this review helpful to you?