Ingeborg Holm's husband opens up a grocery store and life is on the sunny side for them and their three children. But her husband becomes sick and dies. Ingeborg tries to keep the store, ... See full summary »
An old sheik punishes his son Jamil for robbing a caravan by giving his horse to the wronged merchant. The horse is sold to a Turkish general then given to a Christian missionary Mary ... See full summary »
Cecil B. DeMille
Horace B. Carpenter,
Leila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.
As the Japanese sweep through the East Indies during World War II, Dr. Wassell is determined to escape from Java with some crewmen of the cruiser Marblehead. Based on a true story of how Dr... See full summary »
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
Socialite Anatol Spencer seeks a better relation that he has with his wife. He sets up the friend of his youth Emilie in an apartment only to have her two-time him. He comforts the near ... See full summary »
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees ... See full summary »
Cecil B. DeMille
Captain Wynnegate leaves England, accepting the blame for embezzling charity funds though knowing that his cousin Sir Henry is guilty. Out West he and the Indian girl Nat-U-Rich save each other from the evil cattle rustler Cash Hawkins and marry. Lady Diana shows up to announce Sir Henry's death. After Nat-U-Rich's suicide Wynnegate takes his half-breed son and Lady Diana back to England as the new Earl of Kerhill. Written by
Ed Stephan <firstname.lastname@example.org>
The musical composition "Nat-u-ritch: An Indian idyll. Intermezzo from The Squaw Man" by Theodore Bendix was published to promote the picture. See more »
Early in the film, when Captain James Wynnegate (played by Dustin Farnum) is on board the sailing ship, he writes a note asking that a "check" enclosed with the note be cashed for him. Since Captain Farnum is an Englishman, he would have spelled the word as "cheque", the standard British spelling. (Moreover, the handwriting in the note is scarcely that of an educated British military officer: the lines of writing are crooked and the letters are crudely formed.) See more »
This is an adaptation of a stage play--an awful melodrama, which incorporates the Western and flirts with taboo love--adultery and miscegenation. Apparently, Oscar Apfel was doing poorly at teaching Cecil B. DeMille how to direct; there's plenty of outside filming, which is supposed to be a benefit of California, yet this movie is remarkably inept in how the framing of outside scenes is as theatrical as the scenes inside. Of course, it was a commercial success, leading DeMille to remake it twice, and is now a footnote in film history. Probably of more consequence than it being a feature-length film made in Hollywood, unoriginal reinforcement though it was, is the movie's soap opera histrionics coupled with a Caucasian playing a Native-American.
The actors of this movie protrude what their characters would be doing or feeling via gestures, staring at nothing and other magnified histrionics; they're trying to communicate the plot to the audience despite silence and a distanced camera. There's no realism, subtlety, nor, even, characters. The directors and actors of "The Squaw Man" blunder further by misunderstanding the silence concept. Silent films are silent to us, but the fictional world within a silent film is usually not silent. (Likewise, we still hear the music scores in modern films while the characters in the fictional world don't.) In this film, there are some awkward moments when a character lingers behind unnoticed, or is transparently suspicious-looking, but that happens to be when everyone is looking at something else. Yet, I suppose they still do that in soap operas.
In defence of DeMille, it was his first film, and senior director Apfel surely deserves more blame. One learns from imitation, and there weren't many worth imitating then. There was no indication in "The Adventures of Dolly" that Griffith would become the best director in the world. To see DeMille's potential, watch the subsequent year's "The Cheat". Its story is also wanting, flirts with adultery and miscegenation and is driven by embezzlement from charity, but, otherwise, the films couldn't be more different.
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