The Squaw Man (1914)

User Rating:

6.6/10   

Writers:

Edwin Milton Royle (play)
Cecil B. DeMille (picturizer) ...

Release Date:

15 February 1914 (USA)

Genre:

Drama | Western

Plot:

A chivalrous British officer takes the blame for his cousin's embezzlement and journeys to the American West to start a new life on a cattle ranch.

Plot Keywords:

Cousin | Earl | England | Ship Fire | Ranch

Cast

Dustin Farnum

...

Captain James Wynnegate - aka Jim Carston

Also Known As:

The White Man (UK)

Runtime:

74 min (2004 alternate version)

Country:

USA

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

USA:Not Rated

Filming Locations:

Chatsworth, Los Angeles, California, USA

Company:

Jesse L. Lasky Feature Play Company

Trivia:

The site where most of the interior scenes were filmed, on the corner of Sunset and Vine in Hollywood, is now a bank. A mural on one interior wall of the building commemorates the production with four scenes from the film.

Quotes:

Lady Diana: Whose little boy are you?

Movie Connections:

Featured in Cecil B. DeMille: American Epic (2004) (TV)

Soundtrack:

Nat-u-ritch - an Indian Idyll

The first Hollywood feature?

History seems to consider The Squaw Man to be Hollywood's first feature-length film. However, Custer's Last Fight (Francis Ford, 1912*) runs at just under an hour. I'd consider that feature-length. And it was made in Hollywood. So, I dunno.

In any event, this is a really important film, historically, and Cecil B. DeMille's first feature--and his first film, period. Supposedly, he hadn't even seen a film until shortly before he made this. It totally shows.

It's kind of a clumsy jumble of scenes taken from a book. There's no real cinematic logic or flow. There are lots of scenes of people just standing around talking--which doesn't really work in a silent film, especially without many intertitles. Characters were hard to tell apart, because they were mostly filmed in long shot. I found it all somewhat difficult to follow, although I guess I got the gist.

Still, some of the individual scenes are interesting. I suppose the theme of interracial marriage was probably notable for the time (and its outcome predictable). And the film ws mostly filmed on location, which made it a bit easier to watch. I don't imagine I'll ever feel a burning desire to see this again, but it was worthwhile seeing once as an historical document.

C. B. DeMille did learn his craft quickly. By 1915, he was doing vastly better work than this (Carmen, The Cheat).

5.5/10

* Although the version I saw was a 1920s reissue, and it's possible it had some footage added, but it seems unlikely, because that almost certainly would have been jarringly obvious.