There were some movements during the late silent era to tell a story so compellingly, through acting and editing, that no titles would be necessary. Sometimes these efforts were pursued to such an extent that no one could tell what was going on -- or cared to do the work to figure it out. One such effort, THE OLD SWIMMING HOLE, destroyed Charles Ray's career. Another, Lupu Pick's NEW YEAR'S EVE, with two titles, is my personal choice for worst silent picture ever made. There are two titles in THE NOISE OF BOMBS....
While this is certainly not the best movie ever made at Keystone, it is a perfectly fine one, with some great gags, lots of thrills and a plot that makes perfect sense -- insofar as it doesn't take much to motivate the nitwits and zanies of Mack Sennett's studio. In addition, at this time, Sennett had the best editors in the business working for him and they understood precisely what they were doing. When the Academicians in Russia wrote their books, they looked at what was going on in these movies and offered it in high-falutin' terms. Take a look at this one and see if you agree with me.
While this is certainly not the best movie ever made at Keystone, it is a perfectly fine one, with some great gags, lots of thrills and a plot that makes perfect sense -- insofar as it doesn't take much to motivate the nitwits and zanies of Mack Sennett's studio. In addition, at this time, Sennett had the best editors in the business working for him and they understood precisely what they were doing. When the Academicians in Russia wrote their books, they looked at what was going on in these movies and offered it in high-falutin' terms. Take a look at this one and see if you agree with me.