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Making a Living (1914)

 -  Short | Comedy  -  2 February 1914 (USA)
5.4
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Ratings: 5.4/10 from 947 users  
Reviews: 16 user | 5 critic

An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. ... See full summary »

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(uncredited)
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Title: Making a Living (1914)

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Cast

Complete credited cast:
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Storyline

An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. His rival is delayed when he gets caught in a woman's bedroom by her jealous husband. The swindler follows the distribution of the paper containing his 'scoop' around town where he is once again chased by the rival reporter. Both end up on the cow-catcher of a streetcar. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

reporter | keystone kops

Genres:

Short | Comedy

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

Release Date:

2 February 1914 (USA)  »

Also Known As:

Take My Picture  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(TCM print)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Chaplin's character is named Edgar English, but most of the characters he played (usually in the persona of the Tramp) would be either nameless, or would informally be given the name Charlie. See more »

Connections

Featured in Bravo Charlot! (2002) See more »

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User Reviews

A false start for Chaplin
11 June 2004 | by (Calgary, Canada) – See all my reviews

It's clear from the disjointed and awkward "Making a Living" that Keystone studios and Mack Sennett didn't know what to do with their newly discovered comic import from Britain. Playing a leering, evil-looking character, Chaplin flounders in front of the camera, overacting terribly.

As a comedy, it fails to elicit a single chuckle. And the only interesting bit of filmmaking comes at the very end when we see Chaplin and another actor jumping onto the front of a moving streetcar. The plot thickens no further!

Cinema buffs and Chaplin fans will find this film of interest as the debut of one of cinema's finest talents, but casual fans, and particularly fans of the Little Tramp, are better served skipping this one and watching Chaplin's second effort, Kid Races at Venice (1914), which is a far more successful comedy and features the Tramp's debut.


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