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Making a Living (1914) -- An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own...

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Overview

User Rating:
5.3/10   396 votes
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Director:

Henry Lehrman

Writer:

Reed Heustis (writer)

Contact:

View company contact information for Making a Living on IMDbPro.

Release Date:

2 February 1914 (USA) more

Genre:

Short | Comedy more

Plot:

An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a... more | add synopsis

NewsDesk:

Srk’s Double has Trouble
 (From RealBollywood. 31 August 2009, 2:28 AM, PDT)

User Comments:

Chaplin's debut more (14 total)


Cast

  (Complete credited cast)

Charles Chaplin ... Swindler
Virginia Kirtley ... Daughter
Alice Davenport ... Mother
Henry Lehrman ... Reporter
Minta Durfee ... Woman
Chester Conklin ... Policeman / Bum
more
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Additional Details

Also Known As:

A Busted Johnny
Doing His Best
Take My Picture (USA) (alternative title)
Troubles
more

Runtime:

15 min

Country:

USA

Language:

English

Aspect Ratio:

1.33 : 1 more

Sound Mix:

Silent

Certification:

Argentina:Atp


Fun Stuff

Trivia:

Chaplin's character is named Edgar English, but most of the characters he played (usually in the persona of the Tramp) would be either nameless, or would informally be given the name Charlie. more

Movie Connections:

Featured in Charlie: The Life and Art of Charles Chaplin (2003) more


FAQ

This FAQ is empty. Add the first question.
12 out of 13 people found the following comment useful.
Chaplin's debut, 1 August 2002
Author: Matt Barry from Baltimore, Maryland

It was in this, his first film, that Chaplin was called "a comedian of the first water" by an early, unidentified film critic. Actually, this film was considered bad at the time of its release, but Chaplin stood out in this unimaginative short as a first-class performer. Here, he appears in a silk hat and frock-coat, wearing a monocle. It is interesting to note that while American audiences would interpret this characterization as a traditional stage villain, but in England music-hall this characterization represents a man down-on-his-luck, a sort of forerunner of the Little Tramp (which Chaplin would develop in his following film). The plot, such as it is, involves Chaplin and Lehrman as rival reporters, and when Lehrman gets a photo of a car wreck, Chaplin steals it and tries to sell it to the paper as his own.

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