| Mildred Harris | ... | Princess Margaret 'Fluff' of Noland | |
| Violet MacMillan | ... | King Timothy 'Bud' of Noland (as Violet McMillan) | |
| Fred Woodward | ... | Nickodemus | |
| Vivian Reed | ... | Quavo | |
| rest of cast listed alphabetically: | |||
| Pierre Couderc | |||
| Juanita Hansen | ... | Queen Zixi of Ix | |
| Jacqueline Lovell | ... | Narrator of 1996 Version (voice) | |
| Frank Moore | |||
| Bernadine Zuber | (as Byrdine Zuber) | ||
| Dave Anderson | ... | The Hungry Tiger (uncredited) | |
| Leontine Dranet | ... | Mary's Mother (uncredited) | |
| Hal Roach | ... | The Cowardly Lion (uncredited) | |
| Richard Rosson | ... | Mary's Father (uncredited) | |
| Raymond Russell | ... | Jikki / "Silly Zixi" (uncredited) | |
| Jessie May Walsh | ... | Lulea (uncredited) | |
| Mai Wells | ... | Aunt Rivette (uncredited) | |
Directed by | |||
| J. Farrell MacDonald | |||
Writing credits(in alphabetical order) | ||
| L. Frank Baum | novel "Queen Zixi of Ix; or the Story of the Magic Cloak" | |
| L. Frank Baum | screenplay | |
Produced by | |||
| L. Frank Baum | .... | producer | |
| Louis F. Gottschalk | .... | producer | |
| Harry Marston Haldeman | .... | executive producer | |
| Clarence R. Rundel | .... | executive producer | |
Original Music by | |||
| Louis F. Gottschalk | |||
Cinematography by | |||
| James A. Crosby | |||
Second Unit Director or Assistant Director | |||
| Harold Ostrom | .... | assistant director | |
Visual Effects by | |||
| James A. Crosby | .... | optical effects | |
Other crew | |||
| Will H. White | .... | assistant technical manager | |
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| The Chronicles of Narnia: Prince Caspian | Shrek the Third | Ewoks: The Battle for Endor | Eragon | The New Wizard of Oz |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
This is the second addition to Frank Baum's personally produced trilogy of Oz films. It's essentially the same childishness as in the other two pictures, although I consider it preferable to the others because it's shorter. As in the other films, there are performers in animal costumes, an adult woman pretends to be a boy, and the characters and plot jump all over the place while the camera-work is static. This time, at the center is a magic cloak that grants wishes, and the boy played by a woman is made a king.
Most of the special effects are witnessed at the beginning. Fairies are represented by multiple-exposure photography. And, there's a man in the moon that looks just like those made by Georges Méliès years before, most famously in "Le Voyage dans la lune" (A Trip to the Moon) (1902). Méliès's imaginative fantasies and creative trick effects made him the leading pioneer of early cinema, and the films he made around the turn of the century were far better and even technically more advanced than this trifling Oz series.