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Mabel's Strange Predicament (1914)

 -  Short | Comedy  -  9 February 1914 (USA)
5.4
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Ratings: 5.4/10 from 609 users  
Reviews: 13 user | 6 critic

In a hotel lobby an inebriated Charlie runs into an elegant lady, gets tied hup in her dog's leash, and falls down. He later runs into her in the hotel corridor, locked out of her room. ... See full summary »

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Title: Mabel's Strange Predicament (1914)

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Cast

Complete credited cast:
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Mabel
...
Drunk
Chester Conklin ...
Husband
Alice Davenport ...
Wife
Harry McCoy ...
Mabel's Admirer
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Storyline

In a hotel lobby an inebriated Charlie runs into an elegant lady, gets tied hup in her dog's leash, and falls down. He later runs into her in the hotel corridor, locked out of her room. They run through various rooms. Mabel ends up in one of an elderly husband where she hides under the bed. Enter the jealous wife and Mabel's lover. Written by Ed Stephan <stephan@cc.wwu.edu>

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Short | Comedy

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9 February 1914 (USA)  »

Also Known As:

Pajamas  »

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1.33 : 1
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Trivia

Banned by Swedish censors, who found it "brutalising" because of the amorous scenes. See more »

Connections

Featured in Charlie Chaplin: The Little Tramp (1980) See more »

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User Reviews

 
The Tramp is born
23 July 2009 | by (Australia) – See all my reviews

Walt Disney stated that his prime inspiration for creating Mickey Mouse was Chaplin's Tramp character. However, the Mickey seen in 'Plane Crazy (1928)' and 'Steamboat Willie (1928)' bears little resemblance to the gallant hopeless-romantic whom Chaplin made famous in 'The Kid (1921)' and other classic features. Instead, the early "evil" Mickey Mouse probably took a few leaves from the book of Chaplin's early "evil" tramp, who is here portrayed as a drunken scumbag who tries to take advantage of a pajama-clad Mabel Normand. 'Mabel's Strange Predicament (1914)' was, in fact, the birth of Chaplin's Little Tramp character, though 'Kid Auto Races at Venice (1914)' was released two days earlier. As the title suggests, the star of the film is actually Normand, who was a leading comedienne in her day, and this was the first film in a series of collaborations for the pair.

In a hotel lobby, an intoxicated tramp sloppily flirts with Mabel, somehow deciding that yanking on her dog's tail is a surefire way of attracting the girl's attention. Mabel huffily storms off to her room, but later runs into Chaplin in the hallway, after having locked herself out of her room wearing only pajamas. What follows is an amusing farce that resembles something the Marx Brothers would have cooked up, as Mabel evades the Tramp by taking cover under the bed of another man, whose wife arrives home and comes to the natural conclusion. This isn't high-class comedy, but Chaplin is clearly the shining light of the film: he staggers drunkenly from room to room, with an exasperated sneer beneath his moustache, and every time he falls down it is actually uproariously funny. Don't ask me how he did it, but nobody (except maybe Buster Keaton) could ever take a tumble like Chaplin could.


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