| Violet MacMillan | ... | Dorothy Gale | |
| Frank Moore | ... | The Scarecrow | |
| Pierre Couderc | ... | The Tin Woodman | |
| Fred Woodward | ... | The Cowardly Lion / The Kangaroo / The Crow / The Cow / The Mule | |
| Raymond Russell | ... | King Krewl | |
| Arthur Smollet | ... | Googly-Goo | |
| J. Charles Haydon | ... | The Wizard of Oz (as J. Charles Hayden) | |
| Todd Wright | ... | Pon | |
| Vivian Reed | ... | Princess Gloria | |
| Mai Wells | ... | Old Mombi (as Mae Wells) | |
| Mildred Harris | ... | Button-Bright | |
| rest of cast listed alphabetically: | |||
| Louise Emmons | |||
| Jacqueline Lovell | ... | Narrator of 1996 Version (voice) | |
Directed by | |||
| L. Frank Baum | |||
Writing credits(in alphabetical order) | ||
| L. Frank Baum | novels "The Wonderful Wizard of Oz" and "The Scarecrow of Oz" | |
| L. Frank Baum | screenplay | |
Produced by | |||
| L. Frank Baum | .... | producer | |
| Louis F. Gottschalk | .... | producer | |
| Harry Marston Haldeman | .... | executive producer | |
| Clarence R. Rundel | .... | executive producer | |
Original Music by | |||
| James Patrick Doyle | (1998) | ||
| Marc Glassman | (1996) | ||
| Louis F. Gottschalk | |||
| Steffan Presley | (1996) | ||
| John Thomas | |||
Cinematography by | |||
| James A. Crosby | |||
Second Unit Director or Assistant Director | |||
| Harold Ostrom | .... | assistant director | |
Visual Effects by | |||
| James A. Crosby | .... | optical effects | |
Other crew | |||
| Dick Martin | .... | title designer (Em Gee re-release) | |
| Will H. White | .... | assistant technical manager | |
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| The Wizard of Oz | Return to Oz | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Magic Cloak | Stardust |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Family section | IMDb USA section |
This was, of course, one of the early movies, and special effects were not an issue, for which we may be thankful in this day and age when many movies look more like video arcade games.
The plot is bizarre, to say the least. It borders between dream state and LSD trip. It would be interesting to know what early twentieth century audiences thought when they viewed this.
There a motley group of characters, and really, no one takes center stage all the time. People traipse aimlessly, meeting strange characters, and unique situations. Indeed, the wall of water would be a fresh idea as of the day of this critique.
There is a strange sexuality to this one. Super sexy witches dance around very sensually, and would be the envy of the scantily clad girls in today's movies. They are quite beautiful and striking. Again, audiences in this day must have been affected some way. It is too bad that the sexuality seems to be equated with witches, though. Sort of false advertising.
The music is probably too lame for today, and you may want to play your own while watching. Viewable mostly from an artistic perspective or in a social situation, and not as a sit down and watch movie.