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The Face on the Barroom Floor (1914)

The plot is a satire derived from Hugh Antoine D'Arcy's poem of the same title. The painter courts Madeleine but loses to the wealthy client who sits for his portrait. The despairing artist... See full summary »

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(uncredited)

Writer:

(poem)
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Cast

Complete credited cast:
...
Artist
Cecile Arnold ...
Madeleine - a Model
Jess Dandy ...
Lover who stole Madeleine
Vivian Edwards ...
Model
Edward Nolan ...
Bartender (as Eddie Nolan)
Charles Bennett ...
Sailor
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Storyline

The plot is a satire derived from Hugh Antoine D'Arcy's poem of the same title. The painter courts Madeleine but loses to the wealthy client who sits for his portrait. The despairing artist draws the girl's portrait on the barroom floor and gets tossed out. Years later he sees her, her husband and their horde of children. Unrecognized by her, Charlie shakes off his troubles and walks off into the future. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

based on poem | See All (1) »

Genres:

Short | Comedy

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Details

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Release Date:

10 August 1914 (USA)  »

Also Known As:

Chaplin malírem  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

|

Sound Mix:

Aspect Ratio:

1.33 : 1
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Trivia

Based loosely on the poem The Face upon the Barroom Floor, adapted by Hugh Antoine d'Arcy in 1887. See more »

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User Reviews

 
I happen to like the Tramp better when he stays away from barrooms…
21 April 2007 | by (Luoyang, China) – See all my reviews

In Face on the Barroom Floor, Chaplin satirizes a poem and does some real acting, the kind that is rarely seen at this time in his career, when the vast majority of his films are still packed full of overblown physical comedy, and evidently staggering drunkenness provides a nice catalyst in this direction. Chaplin does play a pretty convincing drunk, but the kicking and punching and falling over backwards, if not outright boring, is clearly below Chaplin's level of talent, I just think that he had yet to realize it. I don't think it was until the more dramatic films of his later career that he really learned what he could do with his craft and how meaningful his films could be.

That being said, it is still nice to see that the Tramp is evolving from the callous jerk of the first few films and into a more human character, although still one who has a few lessons to learn about how to handle life's little conflicts. This is a clever short film that is a little light on the comedy, being that it is a short comedy, but an interesting look at the slow evolution of Chaplin's acting and the steadily thickening plots.


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