Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
Fantômas makes it as the emperor of Crime. First is the robbery at the Royal Palace Hotel. Then he abducts Lord Beltham. As Fantômas' fame increases actor Valgrand creates the rôle of ... See full summary »
Charlie talks wealthy farmer's daughter Tillie into eloping with him (and taking her father's money). In the city Tillie gets drunk and lands in jail while Charlie runs off with her money ... See full summary »
Stella Maris is a beautiful, crippled girl, who is cared for by a rich family. They shield her from the harsh realities of the world, so that she has no idea of the cruel things that some ... See full summary »
Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she ... See full summary »
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to god Moloch, Cabiria is rescued by both Fulvio Axilla, a Roman noble, and his giant slave Maciste. Maciste is captured just after having confided Cabiria to Sophinisbe's safe keeping, while Fulvio Axilla manages to escape from Carthage. Ten years went away with Punic wars before he is able to come back to Carthage... Written by
Silent films don't have much of an audience these days. Be that as it may, I would like to recommend this film as a hugely influential costume epic that had great influence over the likes of D.W. Griffith (who did Intolerence right after!), Cecil B. DeMille, and even Fritz Lang (when he did Metropolis). Sure, it's long and it's got one of those convuluted plotlines typical of the period and historically it's crap, but the sets and costumes have to be seen to be believed! The scale of things is just fantastic, with giant temples and houses, all sorts of huge rooms and decoration all over anything, and hundreds and hundreds of extras with fabulous costumes, all done in pastiche of styles that range from Egyptian to Babylonian to this whole weird Indian look, although it's all set in North Africa. Then there's the melodramatic acting, which really can't be judged by today's standards, as there are few subtitles of dialogue, only very grand and wordy intertitles summarzing the plot and offering odes to gods and goddesses. This movie is a must-see if you're studying the history of epic films, early full-length movie, Griffith, etc., and even if you're not, it's a hoot (at least until half-way through, at which point you may decide you've had enough of the plot and can guess the rest.)
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