A three part picture with an entirely real head-on collision between an engine and a train as its climax. The story is not as strong as it might be. but serves its purpose. Harry Morey plays the leading part with remarkable vigor and is pretty well supported. The producer has done his work well; but that scene in which the drowned boy's father is permitted to get into the room where the body is laid out without seeing any crape on the outside door is not strong. - The Moving Picture World, December 20, 1913
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