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When the Right Man Comes Along (1913)

Anyone seeing the handsome suite of offices on Wall Street would think the owner, J. Green, was one of the Napoleons unchanged, but they would not think that this same J. Green was a woman ... See full summary »

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Cast

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Arthur Royden
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Julia Green
Richard Ridgely ...
The Valet
Bliss Milford ...
The Maid
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Storyline

Anyone seeing the handsome suite of offices on Wall Street would think the owner, J. Green, was one of the Napoleons unchanged, but they would not think that this same J. Green was a woman so thoroughly immersed in the intricacies of the Bulls and Bears of the Exchange that all other considerations were forgotten. Her people, happily married and scattered to the four winds, wrote insistent but vain letters to her to abandon money grabbing and enjoy the felicity of normal married life. These letters she treated with contemptuous indifference. No man interested her until Arthur Roydon was brought directly under her notice. During business hours she finds her mind straying to him, and when he enters her office one day, the warm spring tide of love fills her heart. He is all business, cold and aloof, places a check in her bands for stock investment and leaves abruptly. She resolves to win him, but though their meetings at the club are frequent, he remains unchanged. Spurned and lonely, ... Written by Moving Picture World synopsis

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Comedy | Short

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28 April 1913 (USA)  »

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1.33 : 1
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Edison Company code for exhibitors: Vrijgraaf. See more »

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User Reviews

There is something entirely fresh and new about it
1 September 2017 | by (Chicago) – See all my reviews

A picture by Mary Fuller, in which she has the leading role, a young woman broker who apes mannish ways until the "right man comes along" and then, because he will not pay attention to one so much like his man friends, she buys a cascade of lace and a new hat. Pretty soon he proposes. There is something entirely fresh and new about it, and it is this that chiefly holds the interest. Mary Fuller plays a curious character and gets a good deal out of it; it is most creditable to her. Its a dramatic production, it is cleverly conceived, but only fairly worked out. Arthur Housman, R. Ridgely and Bliss Milford are her support. The photography is good. - The Moving Picture World, May 10, 1913


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