Gli ultimi giorni di Pompeii (1913)

User Rating:

6.3/10   

Directors:

Mario Caserini
Eleuterio Rodolfi

Writers:

Edward George Bulwer-Lytton (novel) and
Mario Caserini (writer)

Release Date:

13 August 1913 (USA)

Genre:

Adventure | Drama

Plot:

Two love triangles intersect in ancient Pompei.

Plot Keywords:

High Priest | Slave | Love Triangle | Potion | Blindness

Cast

Fernanda Negri Pouget	...	Nidia, the Blind Girl
Eugenia Tettoni Fior	...	Jone
Ubaldo Stefani	...	Glaucus
Antonio Grisanti	...	Arbace, Egyptian High Priest
Cesare Gani Carini	...	Apoecides, a Disciple of Arbace
Vitale Di Stefano	...	Claudius
rest of cast listed alphabetically:
Carlo Campogalliani
Ercole Vaser

Also Known As:

The Last Days of Pompeii (UK) (USA)

Runtime:

88 min (2000 alternate version) | Spain:56 min (VHS version)

Country:

Italy

Language:

Italian

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Spain:T | USA:Not Rated (alternate version) (2000)

Company:

Società Anonima Ambrosio

Goofs:

Revealing mistakes: Extras are "killed" by falling pieces of a set during the explosion scene, then appear to either get back up or adjust themselves so that they won't be trampled by other extras.

Movie Connections:

Version of Gli ultimi giorni di Pompei (1950)

Soundtrack:

L'Amico Fritz

An Ambitious Attempt That's Still of Some Interest

Despite its old-fashioned format and performances, this early full-length feature is still of some interest, at least historically, and it is probably a little better as a movie than many give it credit for. It was quite an ambitious attempt to tell a relatively involved story with some large-scale settings and a few special visual effects.

It follows a formula that may be even more popular now than it was in the 1910's: take a tumultuous historical event, introduce a set of fictional characters, and show what was going on in their lives when the event took place. In this respect, "The Last Days of Pompeii" may to some degree have established the formula that is still being used for films such as "Titanic", "Pearl Harbor" and many others. If you adjust for the limitations of its era, "The Last Days of Pompeii" is at least as good as those films, as well as many others of the genre.

The story, though sometimes too melodramatic and implausible, is interesting enough most of the time, and while the settings aren't going to impress anyone now, they do display a fair amount of creative effort. None of the cast give particularly strong performances, but their acting styles are not inherently any worse than the acting styles of the present. Some of the present day's most popular performers use affected, artificial styles that are trendy now, but that won't look any better in 90 years than the histrionics of this Italian cast look today.

There's no denying the weaknesses, many of which come from the tableau format and/or from inexperience with telling a full-length story on the silent screen. There are some stretches, especially in the first half, which move very slowly. Some of the characters, especially Nidia, could have been much more compelling with more creative filming and acting.

Within just a few years, the stereotyped tableau format would be largely abandoned, better ways of telling a story would be developed, and better ways of integrating the camera and the performers would be devised. While that might not make this film any better in itself, it was the first few ambitious attempts like "The Last Days of Pompeii" that helped lead to such improvements. While it's only an average film in itself, it deserves also to be remembered as a pioneering effort.