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The Last Days of Pompeii (1913)

Gli ultimi giorni di Pompeii (original title)
Two love triangles intersect in ancient Pompei.
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Cast

Cast overview:
Fernanda Negri Pouget ...
Eugenia Tettoni Fior ...
Ubaldo Stefani ...
Antonio Grisanti ...
Cesare Gani Carini ...
Vitale Di Stefano ...
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Storyline

Well respected Pompeiian Glaucus performs an act of kindness by buying Nidia, a blind slave being mistreated by her owner. Nidia falls in love with her new master, but he only has eyes for Jone. Jone in turn is lusted after by Arbace, an Egyptian high priest of Isis. When Nidia beseeches Isis for help in capturing Glaucus' heart, Arbace gives her a "love" potion, which really will affect his mind and not his heart, thus opening the way to Jone for himself. When Arbace's disciple is murdered Glaucus finds himself in hot water, shortly after which Mt. Vesuvius erupts. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

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A Spectacular Photo-Drama

Genres:

Adventure | Drama

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Details

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Release Date:

13 August 1913 (USA)  »

Also Known As:

The Last Days of Pompeii  »

Company Credits

Production Co:

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Technical Specs

Runtime:

(2000 alternate) | (VHS)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

When Glaucus brings Jone back to her home, the inside of her house is shown with an open air atrium represented by a painted backdrop. We can tell it is a backdrop because the sun in hitting it in such a way that the shadow of other part of the set fall across it. See more »


Soundtracks

La Gioconda
Written by Amilcare Ponchielli (as Ponchielli)
Arranged by Beatrice Jona Affron
Performed by Martha Koeneman
Excerpts in the 2000 alternate version score
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User Reviews

A classic well worth watching for fans of silent films.
9 January 2003 | by (Detroit, Michigan) – See all my reviews

This silent Italian melodrama may be a challenge for modern viewers, but it's a "must" for real fans of the silent era. Along with other early Italian epics now available in great DVD editions, such as "Cabiria" from 1914, these movies remind Americans that before World War I, European filmmakers were creative pioneers who stretched the medium and the imaginations of American directors. This film version of the "Pompeii" story was shot with static cameras and looks a bit like a broadly acted stage production transfered to film. But the production is elaborate, featuring stage sets as well as some location shooting. Just watching the images unfold in this twisted tale of love and jealousy on the eve of the disastrous eruption of Mt. Vesuvius can be fascinating as we peer back across the century at this 1913 release. To current sensibilities, the film does reflect some prejudices of its era, including the casting of an Egyptian priest as the mysterious, evil force in Pompeii -- an early example of a century-long demonization of Arab figures in movies. However, for viewers exploring early cinema, who are familiar mainly with slapstick comedies and D.W. Griffith, watching a pre-WWI Italian epic like this can be a fascinating experience.


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