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The Last Days of Pompeii (1913)

Gli ultimi giorni di Pompeii (original title)
Two love triangles intersect in ancient Pompei.
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Cast

Cast overview:
Fernanda Negri Pouget ...
Eugenia Tettoni Fior ...
Ubaldo Stefani ...
Antonio Grisanti ...
Cesare Gani Carini ...
Vitale Di Stefano ...
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Storyline

Well respected Pompeiian Glaucus performs an act of kindness by buying Nidia, a blind slave being mistreated by her owner. Nidia falls in love with her new master, but he only has eyes for Jone. Jone in turn is lusted after by Arbace, an Egyptian high priest of Isis. When Nidia beseeches Isis for help in capturing Glaucus' heart, Arbace gives her a "love" potion, which really will affect his mind and not his heart, thus opening the way to Jone for himself. When Arbace's disciple is murdered Glaucus finds himself in hot water, shortly after which Mt. Vesuvius erupts. Written by Ron Kerrigan <mvg@whidbey.com>

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A Spectacular Photo-Drama

Genres:

Adventure | Drama

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Release Date:

13 August 1913 (USA)  »

Also Known As:

The Last Days of Pompeii  »

Company Credits

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Technical Specs

Runtime:

(2000 alternate) | (VHS)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

When Glaucus brings Jone back to her home, the inside of her house is shown with an open air atrium represented by a painted backdrop. We can tell it is a backdrop because the sun in hitting it in such a way that the shadow of other part of the set fall across it. See more »

Connections

Version of The Last Days of Pompeii (1900) See more »

Soundtracks

Water Music
Written by George Frideric Handel (as Handel)
Arranged by Beatrice Jona Affron
Performed by Martha Koeneman
Excerpts in the 2000 alternate version score
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User Reviews

 
Astonishing spectacle, beautifully filmed.
8 March 2002 | by (Canberra, Australia) – See all my reviews

This amazing Italian silent epic, featuring a cast of millions, will blow your mind as thoroughly as Mt. Vesuvius blew up Pompeii. Breathtaking special effects, an excitingly melodramatic plot, stunning settings, and gorgeous cinematography combine to make this one of the first great feature films.

The cinematography is very different to what we are used to today - the camera does not move at all - but the shots are so well lit that it hardly seems to matter. And the genuine beauty of the final shot makes the scene very moving indeed.

This is an unmissable masterpiece of cinema.


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