When four men rob a bank, one is killed and the other three escape into the desert where they lose their horses in a storm. Finding a woman who gives birth, they are made godfathers only to... See full summary »
Young Pauline is left a lot of money when her wealthy uncle dies. However, her uncle's secretary has been named as her guardian until she marries, at which time she will officially take ... See full summary »
Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own ... See full summary »
In a film where the leading character is a composite of several American-frontier lawmen (mostly Wyatt Earp,) Clay Tallant comes to Silver City, Arizona in the 1880s and encounters ... See full summary »
An early social commentary on the New York sex trade, this film attempts to sensationalize prostitution, especially forced prostitution. Featuring a number of characters and sub-plots, the film is presented as if it were a documentary. Written by
Describing this as the most important film in Universal Picture's history (and Carl Laemmle's) may not be an overstatement. Made for a mere $5,700.00 and tackling the lurid subject of white slavery, this (Universal's first feature length release) earned a whopping $450,000.00 and it put the company squarely on the map. See more »
That night, they secure her father's invention for intensifying sound waves and recording dictagraph sounds on a phonographic record.
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Opening Title Card lists the name of the movie as: Traffic In Souls or While New York Sleeps". Further, it describes the film as "A Photodrama of Today". See more »
This movie which relies on the sensational, is not very sensational. The film treats of the white slave trade with immigrant girls to this country as likely candidates for kidnapping. The interior scenes are stultifying (with cheap painted backdrops and hideous wallpaper). There is no camera movement. This static approach to efforts to wipe out the slave trade does not work. Coincidence piles upon coincidence to the point of absurdity. There are too many characters and sub-plots. The only time the film has an opportunity to breathe is during the exterior scenes, such as at the docks or on the rooftop. The film stands, however, as a good introduction to what film used to be before creative elements jelled in the industry.
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