Based on Gogol's story: It's Christmas Eve, and everyone in the village has plans. The devil and the witch Solokha are looking for ways of causing mischief. Chub the Cossack just wants some...
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A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars very realistic ... See full summary »
While hosting a game of cards one night, Narumov tells his friends a story about his grandmother, a Countess. As a young woman, she had once incurred an enormous gambling debt, which she ... See full summary »
A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
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Charlie is an actor in a film studio. He messes up several scenes and is tossed out. Returning dressed as a lady, he charms the director. Even so, Charlie never makes it into film, winding up at the bottom of a well.
Roscoe 'Fatty' Arbuckle,
Based on Gogol's story: It's Christmas Eve, and everyone in the village has plans. The devil and the witch Solokha are looking for ways of causing mischief. Chub the Cossack just wants some vodka. Solokha's son, Vakula the smith, wants to court Chub's charming daughter Oksana, who sets him on a quest: if Vakula will bring her the tsaritsa's shoes, Oksana will marry him. Meanwhile, the popular Solokha has a series of male visitors to contend with. When Vakula interrupts her, it sets off a chain of events that leads to a busy night for everyone. Written by
Wladyslaw Starewicz (Ladislas Starewitch in France) was a genius of early stop-motion puppet animation. His humorous tales involving toys, replicas of insects, frogs and such remain delightful to this day; "The Cameraman's Revenge" is especially amazing for 1912. This, "Christmas Eve", is a live-action film, though. There is some animation and mild special effects. It's amusing in parts, but, overall, it's unremarkable.
The camera-work and film-making are mostly straightforward: a stationary camera without much scene dissection or close shots. Scenes become rather dull as a result. The exceptions are two brief forward, shaking camera movements involving the devil flying. That's innovative film-making; if only he'd built upon it, this film might have went somewhere. It reminds one of the startling camera movements he accomplished in "The Mascot" (1934), which also involved a devil.
Additionally, Ivan Mozzhukhin (Ivan Mosjoukine in France), a star in his day and unrecognizable in the costume, seems to relish his role as the devil. The Gogol story of connected stories is promising material, but this adaptation doesn't appear to be on the right scale for Starewicz. As a film made in 1913, it's okay and has its moments; however, as a film by Starewicz, it's unsatisfactory. "The Cameraman's Revenge" is nearly unbelievable as a film made in the early 1910s; "Christmas Eve", however, is clearly such.
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