Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two ... See full summary »
(Korean with English subtitles) Blending politics with romance, noted director of "The Housewife" weaves a story of two activists in hiding in a remote shack. The intimate setting proves to be fertile ground for hidden desires.
"Night and Day" is centered around the mixed emotions found in traveling. Characters in the film are Sung-nam Kim, an artist selected by the Korean government that escaped from Seoul and ... See full summary »
One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which... See full summary »
Valeriya Gay Germanika
Actor Kyung Soo leaves Seoul to visit an old classmate. The reunion with his friend does not amount to much, but the trip does lead to some romantic encounters. He gets involved with two women, first a young college student whom he leaves without a moment's thought and then a woman whom he deems his fated partner. As Kyung Soo becomes increasingly invested in this second relationship, he begins to notice certain coincidences and similarities that recall past pairings, blurring his conception of exactly which woman, which relationship, he is so desperately holding on to. Written by
This low key, insightful, and ultimately devastating film quietly observes a callow young man in his search for love. Utterly ill-equipped for the challenge, he bounces from one encounter to another, hoping that he'll find the connection to life that's missing in his life, but instead, he causes pain wherever he goes in his self-absorbed quest. When he finally utters the words "I love you" they are hollow and come immediately after his admission of dishonesty, manipulation and deception.
There's a sad charm to the guy, especially if you identify even a little with his plight, and that takes some of the sting out of the film maker's subtle satire.
I was reminded often of Antonioni who also analyzed the failed searching of young people for love and connection in a culture that left them hopelessly alienated and cut off from each other except for their sexual couplings, which seemed to leave them even more selfish and heartless.
The performances are sublime, especially Sang Mi Chu, who lights up the film the minute she appears.
Not as depressing as I may have made it sound, it has moments of humor, and not a little affection for its characters.
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