Ingeborg Holm's husband opens up a grocery store and life is on the sunny side for them and their three children. But her husband becomes sick and dies. Ingeborg tries to keep the store, ... See full summary »
EROTIKON surely pushed the boundaries of what was acceptable on the screen in 1920: Irene, the bored wife of a distracted entomologist, pursues a womanizing aviator, but she may actually be... See full summary »
Young Pauline is left a lot of money when her wealthy uncle dies. However, her uncle's secretary has been named as her guardian until she marries, at which time she will officially take ... See full summary »
Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. ... See full summary »
After a body disappears from inside the prison, a series of crimes take place, all seemingly by the dead man. With Juve presumed dead, Fandor must investigate alone. Will Fantomas finally be brought to justice?
Louis Feuillade's 5 1/2-hour epic follows FantÃ'mas, the criminal lord of Paris, master of disguise, the creeping assassin in black, as he is pursued by the equally resourceful Inspector Juve and journalist JerÃ'me Fandor.
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Fantômas makes it as the emperor of Crime. First is the robbery at the Royal Palace Hotel. Then he abducts Lord Beltham. As Fantômas' fame increases actor Valgrand creates the rôle of ... See full summary »
Ingeborg Holm's husband opens up a grocery store and life is on the sunny side for them and their three children. But her husband becomes sick and dies. Ingeborg tries to keep the store, but because of the lazy, wasteful staff she eventually has to close it. With no money left, she has to move to the poor-house and she is separated from her children. Her children are taken care of by foster-parents, but Ingeborg simply has to get out of the poor-house to see them again... Written by
Again, this is an early not-that-bad drama from Sjostrom about a person driven mad by tragic circumstances. It has a nice sense of restraint, especially for its era, with a fine performance by Hilda Borgstrom and a well-paced story. Nothing about the movie sucks. It just takes a little something extra for me to get involved with a silent film... some sort of avant-garde twist or dazzling technique or some thrilling action. Yeah, it's a good plot with a sympathetic protagonist, but my heart just wasn't in it. I can't imagine anyone besides a Sjostrom scholar watching this more than once.
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