| Uncredited cast: | |||
| Roscoe 'Fatty' Arbuckle | ... |
Fatty
(uncredited)
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Charles Avery | ... |
Arresting Cop
(uncredited)
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Lou Breslow | ... |
Boy
(uncredited)
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Harry DeRoy | ... |
Bald Apprehending Cop
(uncredited)
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Minta Durfee | ... |
Nursemaid
(uncredited)
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Dot Farley | ... |
Fatty's Sweetheart
(uncredited)
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Billy Gilbert | ... |
Fighter
(uncredited)
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William Hauber | ... |
Cop at Station House
(uncredited)
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Bert Hunn | ... |
Cop at Station House
(uncredited)
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George Jeske | ... |
Arresting Cop
(uncredited)
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Edgar Kennedy | ... |
Jealous Cop in Park
(uncredited)
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Hank Mann | ... |
Cop at Station House
(uncredited)
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George Nichols | ... |
Police Commissioner
(uncredited)
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Mack Swain | ... |
Cop at Station House
(uncredited)
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Jack White | ... |
Pie Thrower
(uncredited)
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When 'Fatty' rescues a young girl from drowning, she turns out to be the police commissioner's daughter. The grateful commissioner offers Fatty a position on the force, and at first Fatty is very pleased with his new position. But he soon runs into difficulties, as his attempt to break up a fistfight only brings him embarrassment. Then, when he confronts a group of mischievous young boys, his real problems begin. Written by Snow Leopard
While quite uneven overall, this has some good slapstick and other gags, and it is also of interest as one of the earliest starring roles for Roscoe Arbuckle. It has a rather odd collection of material that leaves you wondering whether it was all supposed to be funny or not, as it is only amusing if you decide not to take it very seriously. Arbuckle's character is not especially sympathetic, yet he is treated rather roughly by the plot.
The story starts with 'Fatty' being rewarded for an act of heroism by being appointed to the police force, only to find how little respect policemen are often shown. The story mostly pieces together a series of stock elements, and they do not always fit together seamlessly. The clothes-stealing gag and some of the other ideas fall rather flat, but at other times Arbuckle's skill and timing make some of the slapstick work better than it might have on its own.
The main reason to watch this now would be to see Arbuckle, who shows that he could carry the action and handle a starring role, even when the material was not all that good. With a more nondescript actor in the lead, this movie would have been completely forgettable. It's still nothing great, but at least Arbuckle provides some reason for watching it.