"Now is the winter of our discontent..." With these timeless words, Duke Richard - lounging on his sun deck - sets his murderous plans in motion. His goal: to eliminate the hated rival ... See full summary »
Maria Conchita Alonso
An account of the life of Jesus Christ, based on the books of the New Testament: After Jesus' birth is foretold to his parents, he is born in Bethlehem, and is visited by shepherds and wise... See full summary »
R. Henderson Bland,
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée ... See full summary »
J. Searle Dawley
Although several others are ahead of him in the line of succession, Richard of Gloucester is determined to gain the throne. Through deceit, manipulation, and murder, he does become King ... See full summary »
Frank R. Benson
A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
This is the oldest found dramatic film from Serbia made in 1911. "Karadjordje" is a biography of a famed leader of a rebellion against the Turkish empire in 1804. We can see his whole life ... See full summary »
Shakespeare's tragedy of the hump-backed Duke of Gloucester, who rises to the throne of England by chicanery, treachery, and brilliance, only to find that his own methods have prepared the groundwork for his downfall. Written by
Jim Beaver <firstname.lastname@example.org>
Watching Shakespeare without dialog isn't as challenging as you might think. Indeed, this 1912 film manages to condense the play neatly and still retains much of the power of the piece without hearing - or even reading - the words. Much of the success of "Richard III" is due to the vivid characterization by Frederick Warde, but his costars are excellent too. The direction is basic, of course, and every so often director-star James Keane wastes precious time (what's up with that long semi-tracking shot of the ship?), but generally his work is more than adequate. Comparing Keane's work here to the pioneering 1911 Italian feature "L'Inferno", it's clear that the American did have knowledge of what was going on elsewhere, even if he (of course) fell far short of what D.W. Griffith was already doing. Overall, "Richard III" will be of considerable interest to silent-film fans as well as stage performers interested in viewing the work of 19th century master Warde. Otherwise, I doubt this movie will thrill many other viewers. But I could be wrong; check it out for yourself.
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