Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
In a remote 19th Danish century village two sister lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one ... See full summary »
A little girl, Mui, went to a house as a new servant. The mother still mourns the death of her daughter, who would have been Mui's age. In her mind she treated Mui as her daughter. 10 years... See full summary »
Tran Anh Hung
Tran Nu Yên-Khê,
Man San Lu,
Thi Loc Truong
Weronika lives in Poland. Véronique lives in Paris. They don't know each other. Weronika gets a place in a music school, works hard, but collapses and dies on her first performance. At this... See full summary »
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his wife suffers a spiritual crisis when she finds her life a blank, his business partners make bad decisions against his advice, and he reconnects with his first love 30 years after he dumped her. His teenage daughter Ting-Ting watches emotions roil in their neighbors' flat and is experiencing the first stirrings of love. His 8-year-old son Yang-Yang is laconic like his dad and pursues truth with the help of a camera. "Why is the world so different from what we think it is?" asks Ting-Ting. Written by
The beginning scene of family taking wedding pictures are shot in Tunghai University in Taichung. The funeral scene is shot in The Affiliated Experimental High School Of Tunghai University in Taichung. The wedding dinner scene is in the Grand Hotel in Taipei. See more »
I'm sorry, Grandma. It wasn't that I didn't want to talk to you. I think all the stuff I could tell you... You must already know. Otherwise, you wouldn't always tell me to 'Listen!' They all say you've gone away. But you didn't tell me where you went. I guess it's someplace you think I should know. But, Grandma, I know so little. Do you know what I want to do when I grow up? I want to tell people things they don't know. Show them stuff they haven't seen. It'll be so much fun. Perhaps one day......
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This movie is a beautiful piece of art. Every shot of the movie is like a painting in its own right. Hats off to cinematographer Wei-han Yang for getting so many splendid images on film. From his serene reflective shots against a city nocturnal background, to innovative bird eye-view shots, to neat mirror shots, to the perspective of the bedridden grandmother in a coma, to cars passing by in front of the actors, to gorgeous corporate buildings... everything on camera was meticulously thought out.
Director Edward Yang uses this visual candy diligently and incorporates it nicely into his narrative. His script is very poetic and allows for a lot of reflective pause... which is, you've guessed it, supported by silent stunning images. The characters feel very real and their problems and concerns move us. The little boy is simply adorable and his perspective on life is quite refreshing. The dialogue is rich and intelligent and if you listen carefully you'll understand why this movie is so long... But the length does not drag the movie out. Rather it allows us to think and to appreciate. There is enough material in this movie (both words and images) to have anyone musing for days if he so desires.
The ending of the movie is very well done and you don't really know if you feel like laughing or crying at that point, but you certainly know that you have just witnessed an amazing movie, a movie without proper description. Because like Yang chose to do, I should just be silent and let you enjoy.
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