An Interrupted Elopement (1912) Poster

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6/10
Poorly Laid Plans Gang Agley Too
boblipton28 June 2018
Eddie Dillon wants to marry Mabel Normand, but her papa, William J. Butler, refuses. On the advice of his friends, Eddie suggests elopement, and Mabel agrees. However, Papa finds the note and speeds to the minister before them in this split-reel comedy directed by Mack Sennett shortly before he left to start Keystone.

It's not much of an advance on HELEN'S MARRIAGE, released three months earlier, but it does have the charm of burlesquing the "animated text" style of film-making, which was all but gone from Keystone and falling out of favor elsewhere. In that style, the titles told the audience what they were about to see, and then the actors performed. Given the pompous manner in which the performers behave and the way their spur-of-the-moment plans fall apart, it's pretty amusing.
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5/10
Duller Repeat of "Helen's Marriage"
jayraskin121 October 2012
Warning: Spoilers
This is quite like "Helen's Marriage" which came out a few months earlier in 1912. Once again, Edward Dillon is trying to elope with Mabel Normand, but papa interferes. The big joke is when Ford Sterling and Elmer Booth kidnap the minister in order to marry Dillon and Normand. They mistakingly get Papa instead. It is the one strong gag in the film.

This is serviceable, but I thought "Helen's Marriage" had a more cinematic style and was a bit more fun. This film seems to be a step backwards in technique and it is hard to belief that it was made several months after "Helen's Marriage." rather then a few months before.
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5/10
An Interrupted Elopement review
JoeytheBrit26 June 2020
A routine Mack Sennett comedy for Biograph built around the elopement of a young couple. One half-funny laugh surrounded by a lot of filler.
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So much waving of arms and feet and puckering up of lips
deickemeyer21 January 2017
A good farce comedy that is quite fresh and very funny. We usually enjoy these amusing sketches on the Biograph split-reels. Both readers of this periodical and people we meet on the street find fault with what we say about them. We have been told that we like them only because we have a fixed idea that anything with the Biograph name on is good. It isn't true. The ideas in many of these farces are good (not in all) and they are often played by actors who know their business. They nearly all have one great fault. There is in most of them, in minor parts usually, not always, so much waving of arms and feet and puckering up of lips that it wearies and leaves the impression of silliness. There is some of it in this picture, especially in the lover's man friend who seemed to like the center of the stage. We do not think that the girl's father could have been played better. - The Moving Picture World, August 31, 1912
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