A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
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What is a mosquito's nature? A large man enters his flat; a mosquito in top hat with valise follows, entering through the window above door. The man goes to sleep; the mosquito lands next to him, opens the valise, and takes out a grinding wheel to sharpen his proboscis. Methodically, the mosquito gets one, two, then three drinks as the man tosses, slaps, turns, covers himself, and rubs the wounds. After a fourth drink, the mosquito is so full he can barely right himself. Still he has more. Bloated, he can only hover above the sleeping man's face. Suspense builds: can he launch? He's atop his victim's nose. He jettisons his valise. Will he now be light enough to escape? Written by
Of great historical importance, but not exactly deep or memorable
Okay, I'll admit this isn't the greatest cartoon ever made. It's silent, consists only of simple pencil drawings and never is all that interesting. So why is it STILL a worthwhile film? Well, it's so early and in its day it was considered state of the art. Plus, the film's creator, Winsor McCay, was responsible for some of the first animated heroes--in the forms of Gertie the Dinosaur and Little Nemo. So, because of this very important and impressive pedigree, this film is of great importance to animators, historians and Cinephiles alike. For what it is (an early experimental film), it is pretty good. Plus, without films like this, later more fleshed out cartoons wouldn't have been possible. Interesting and unique, that's for sure.
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