Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
Fantômas makes it as the emperor of Crime. First is the robbery at the Royal Palace Hotel. Then he abducts Lord Beltham. As Fantômas' fame increases actor Valgrand creates the rôle of ... See full summary »
With her family in financial difficulties, Rebecca is sent to live with her two strict, unfeeling aunts, who do not appreciate the young girl's charm and energy. Rebecca must make new ... See full summary »
Helen Jerome Eddy
A young wife and her musician husband live in poverty in a New York City tenement. The husband's job requires him to go away for for a number of days. On his return, he is robbed by the ... See full summary »
Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and ... See full summary »
Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves ... See full summary »
When she discovers that a slave named Pharon professes his love for her, Cleopatra makes a bargain with him: she will give him ten days of "love," at the end of which he is to commit suicide. He agrees, although the queen's handmaiden Iras, in love with the slave, isn't happy with the arrangement. Later when Cleopatra is seducing Marc Antony, her relationship with Pharon is used against her, but with little effect. She allies herself with Antony against Octavius, participates in a brief war, then meets her end rather than be subjected to Roman rule. Written by
Ron Kerrigan <firstname.lastname@example.org>
...nor custom stale her infinite variety. - Wm. Shakespeare
How fortunate we are that this early first feature epic survives in near entirety. It stands as a testimonial to one of the greatest and overlooked actresses of early cinema, the divine Helen Gardner. Miss Gardner was a prolific actress of the stage and early screen. She taught pantomine and was possibly the first star to form her own production company, the Helen Gardner Picture Corporation, of which this film was produced. Now granted this film seems stagey and it lacks some of Griffith's techniques but it boasts some fine performances and is important for its historical value. In my opinion Miss Gardner is the finest Cleopatra the screen has ever had. She is every inch the Queen of the Nile, beautiful, majestic, sexy. She had a strong screen presence and talent that is almost forgotten due to the fact that so many of her films are gone, which is why this film is of great importance. This film is based on the play by Victorien Sardou and was directed by Miss Gardner's husband Charles L. Gaskill. Miss Gardner also designed her costumes for this as she did for many of her roles. I had always wanted to see the 1917 Theda Bara version but as long as that film remains lost, Helen Gardner is the quintessential Cleopatra of the screen. Long live the Queen!
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