Fantômas makes it as the emperor of Crime. First is the robbery at the Royal Palace Hotel. Then he abducts Lord Beltham. As Fantômas' fame increases actor Valgrand creates the rôle of ... See full summary »
Young Pauline is left a lot of money when her wealthy uncle dies. However, her uncle's secretary has been named as her guardian until she marries, at which time she will officially take ... See full summary »
Cleopatra, the famed Egyptian Queen born in 69 B.C., is shown to have been brought by Roman ruler Julius Caesar at age 18. Caesar becomes sexually obsessed by the 18 year old queen, beds ... See full summary »
As inspector Juve seems to be unable to put Fantômas behind bars the Press comes up with the idea Juve must be Fantômas himself! Juve is soon jailed as an attempt to ease the stress on his ... See full summary »
Ingeborg Holm's husband opens up a grocery store and life is on the sunny side for them and their three children. But her husband becomes sick and dies. Ingeborg tries to keep the store, ... See full summary »
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
When she discovers that a slave named Pharon professes his love for her, Cleopatra makes a bargain with him: she will give him ten days of "love," at the end of which he is to commit suicide. He agrees, although the queen's handmaiden Iras, in love with the slave, isn't happy with the arrangement. Later when Cleopatra is seducing Marc Antony, her relationship with Pharon is used against her, but with little effect. She allies herself with Antony against Octavius, participates in a brief war, then meets her end rather than be subjected to Roman rule. Written by
Ron Kerrigan <email@example.com>
I saw the restored version of this film, which was funded by and shown on Turner Classic Television. Realizing that it was a filmed stage play done in 1912, I had no unrealistic expectations for the production values. And, as an early 20th century stage play, I thought it was quite good, But...and I still can't get over this...the soundtrack was so inappropriate that I had to watch the film with the TV muted. I have nothing against "modern" soundtracks for silent films, and in some cases, they work very well, such as Moroder's "Metropolis", but this was downright laughable in many places.
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