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Queen Elizabeth (1912)
"Les amours de la reine Élisabeth" (original title)

5.4
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Ratings: 5.4/10 from 58 users  
Reviews: 6 user

Episodes from the life of Elizabeth I, Queen of England (1533-1603), focusing on her ill-fated love affair with Robert Devereux, Earl of Essex.

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Cast

Credited cast:
...
Lou Tellegen ...
Max Maxudian ...
Howard, Earl of Nottingham (as Maxudian)
Mlle. Romain ...
The Countess of Nottingham
Rest of cast listed alphabetically:
Jean Angelo ...
Seymour
Jean Chameroy ...
Lord Bacon (as Harmeroy)
Albert Decoeur ...
Sir Francis Drake (as Decoeur)
Georges Deneubourg
Marie-Louise Derval
Guy Favières
Jane Maylianes
Suzanne Seylor
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Storyline

Episodes from the life of Elizabeth I, Queen of England (1533-1603), focusing on her ill-fated love affair with Robert Devereux, Earl of Essex.

Plot Summary | Add Synopsis


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Details

Country:

Release Date:

August 1912 (France)  »

Also Known As:

Drottning Elisabeth  »

Box Office

Budget:

$47,500 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Video Version)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Joseph Carl Breil's score is often considered the first original musical score written specifically for a motion picture. Breil was a prominent American composer of opera and operetta in addition to his film score work. See more »

Connections

Featured in Birth of Hollywood: Episode #1.1 (2011) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Feature-Length at a Cost
3 May 2004 | by See all my reviews

Perhaps Sarah Bernhardt was a great theatre actress, but she was an awful film actress. As ignorant are the filmmakers who made this rubbish. Of course, the idea behind these productions from Adolph Zukor's Famous Players in Famous Plays, Pathé film d'art, or spectacles from Italy was to associate the new medium of film with the established art of theatre (often literature, too). The only decent legacy these films have is that they ushered in the age of feature-length films, but stagnating motion pictures to the grammar of the stage was of more consequence. The camera is stationary, the narrative is ridiculous and the acting is artificial and pretentious.

(Note: The version I saw was approximately 50 minutes and appeared to be at proper projection speed.)


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