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Les amours de la reine Élisabeth (1912)
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Overview
User Rating:
Release Date:
August 1912 (France) morePlot:
Epsodes from the life of Elizabeth I, Queen of England (1533-1603), focusing on her ill-fated love affair with Robert Devereux, Earl of Essex. | add synopsisUser Comments:
Feature-Length at a Cost moreCast
(Credited cast) | Sarah Bernhardt | ... | Queen Elizabeth I |
| Lou Tellegen | ... | Robert Devereux, Earl of Essex |
| Max Maxudian | ... | Howard, Earl of Nottingham (as Maxudian) |
| Mlle. Romain | ... | The Countess of Nottingham |
| rest of cast listed alphabetically: | |||
| Jean Angelo | ||
| Georges Charmeroy | (as Harmeroy) | |
| Albert Decoeur | (as Decoeur) | |
| Georges Deneubourg | ||
| Marie-Louise Derval | ||
| Guy Favières | ||
| Jane Maylianes | ||
| Suzanne Seylor | ||
Additional Details
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Add content advisory for parentsRuntime:
USA:44 min (Video Version)Country:
FranceColor:
Black and WhiteAspect Ratio:
1.33 : 1 moreSound Mix:
SilentCertification:
Sweden:15Fun Stuff
Trivia:
Joseph Carl Breil's score is often considered the first original musical score written specifically for a motion picture. Breil was a prominent American composer of opera and operetta in addition to his film score work. moreFAQ
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| The Private Lives of Elizabeth and Essex | Mary of Scotland | Elizabeth: The Golden Age | Adrienne Lecouvreur | Victoria & Albert |
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| Full cast and crew | Company credits | IMDb Short section |
| IMDb France section | Add this title to MyMovies |
Perhaps Sarah Bernhardt was a great theatre actress, but she was an awful film actress. As ignorant are the filmmakers who made this rubbish. Of course, the idea behind these productions from Adolph Zukor's Famous Players in Famous Plays, Pathé film d'art, or spectacles from Italy was to associate the crude, infantile medium with the established art of theatre (often literature, too). The only decent legacy these films have is that they ushered in the age of feature-length films, but stagnating motion pictures to the grammar of the stage was of more consequence. The camera is stationary, the narrative is ridiculous and the acting is artificial and pretentious.
(Note: The version I saw was approximately 50 minutes and appeared to be at proper projection speed.)